Träd
by Gunnar Smoliansky
Photographs: Gunnar Smoliansky
Text: Gunnar D. Hansson
Publisher: Libraryman
40 pages
Pictures: 25
Year: 2017
ISBN: 978–91–88113–06–1
Comments: Duotone offset printed clothbound hardcover. Linen thread bound. Uncoated tip-in frame on front cover, with typography and spine text in gold foil. 30 x 36cm; First edition of 500 copies
“Gunnar Smoliansky’s (b. 1933, Swedish) studies of trees are social journalism in photographic form, although not from the human world in spite of their occasional traces of humanity. No, people appear to have left the scene. Smoliansky’s depictions of trees are a forestry ranger’s nightmare and at the same time far too vulnerable to please the zealous conservationist. These photographs are about a type of vegetation that may once have been both magnificent and dignified – what remains of growth is both frustrated and defiant. They are not romantic pictures of virgin woods. No, instead they are places that have been consigned to oblivion, pre- or post-profitability. Impediments. Languishing land. Windfallen tree trunks or soon to be windfallen trunks that are nothing but upright poles, trunks that have grown into each other. In these photos we are far from observing from perfect specimens, textbooks and the pleasure of inventing Latin names in the Linnaean spirit. They are mainly trees that remain standing by sheer dint of willpower, knots and twists. Like a neglected case of rheumatism. And yet: in the midst of this solitude, in the midst of this struggle, so difficult to grasp, there is a sense of community among the susceptible.”
- Excerpt from the preface written by writer and poet Gunnar D. Hansson (b. 1945, Swedish)
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Träd
by Gunnar Smoliansky
Photographs: Gunnar Smoliansky
Text: Gunnar D. Hansson
Publisher: Libraryman
40 pages
Pictures: 25
Year: 2017
ISBN: 978–91–88113–06–1
Comments: Duotone offset printed clothbound hardcover. Linen thread bound. Uncoated tip-in frame on front cover, with typography and spine text in gold foil. 30 x 36cm; First edition of 500 copies
“Gunnar Smoliansky’s (b. 1933, Swedish) studies of trees are social journalism in photographic form, although not from the human world in spite of their occasional traces of humanity. No, people appear to have left the scene. Smoliansky’s depictions of trees are a forestry ranger’s nightmare and at the same time far too vulnerable to please the zealous conservationist. These photographs are about a type of vegetation that may once have been both magnificent and dignified – what remains of growth is both frustrated and defiant. They are not romantic pictures of virgin woods. No, instead they are places that have been consigned to oblivion, pre- or post-profitability. Impediments. Languishing land. Windfallen tree trunks or soon to be windfallen trunks that are nothing but upright poles, trunks that have grown into each other. In these photos we are far from observing from perfect specimens, textbooks and the pleasure of inventing Latin names in the Linnaean spirit. They are mainly trees that remain standing by sheer dint of willpower, knots and twists. Like a neglected case of rheumatism. And yet: in the midst of this solitude, in the midst of this struggle, so difficult to grasp, there is a sense of community among the susceptible.”
- Excerpt from the preface written by writer and poet Gunnar D. Hansson (b. 1945, Swedish)
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Träd
by Gunnar Smoliansky
Photographs: Gunnar Smoliansky
Text: Gunnar D. Hansson
Publisher: Libraryman
40 pages
Pictures: 25
Year: 2017
ISBN: 978–91–88113–06–1
Comments: Duotone offset printed clothbound hardcover. Linen thread bound. Uncoated tip-in frame on front cover, with typography and spine text in gold foil. 30 x 36cm; First edition of 500 copies
“Gunnar Smoliansky’s (b. 1933, Swedish) studies of trees are social journalism in photographic form, although not from the human world in spite of their occasional traces of humanity. No, people appear to have left the scene. Smoliansky’s depictions of trees are a forestry ranger’s nightmare and at the same time far too vulnerable to please the zealous conservationist. These photographs are about a type of vegetation that may once have been both magnificent and dignified – what remains of growth is both frustrated and defiant. They are not romantic pictures of virgin woods. No, instead they are places that have been consigned to oblivion, pre- or post-profitability. Impediments. Languishing land. Windfallen tree trunks or soon to be windfallen trunks that are nothing but upright poles, trunks that have grown into each other. In these photos we are far from observing from perfect specimens, textbooks and the pleasure of inventing Latin names in the Linnaean spirit. They are mainly trees that remain standing by sheer dint of willpower, knots and twists. Like a neglected case of rheumatism. And yet: in the midst of this solitude, in the midst of this struggle, so difficult to grasp, there is a sense of community among the susceptible.”
- Excerpt from the preface written by writer and poet Gunnar D. Hansson (b. 1945, Swedish)
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Collective Memory
by Saskia Overzee & Amanda Butterworth
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Homo Viksraitis (signed)
by Rimaldas Viksraitis
Euro 49 -
The nature people (signed)
by Brian Griffin
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The Meadow
by Barbara Bosworth & Margot Anne Kelley
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Atlas (signed)
by Israel Ariño
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by Fyodor Telkov
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Vandalism
by John Divola
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by David Hurn
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by Fazal Sheikh
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Miserachs Barcelona
by Xavier Miserachs
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by Chris Killip
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Blanco (last copy)
by Awoiska Van Der Molen
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by Thomas Bundschuh
Euro 39 -
Rift/Fault
by Marion Belanger
Euro 75 60.00 -
An Authentic Relation (signed)
by Marianne Bjørnmyr
Euro 42 -
Birds (last copy)
by Yohei Kichiraku
Euro 49 -
Fleuve Congo River (signed)
by Kris Pannecoucke
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Blumen
by Collier Schorr
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Roots & Bonds (signed + extra booklet)
by Regina Anzenberger
Euro 65 -
Roots & Waltz (poster)
by Regina Anzenberger
Euro 49 -
JAGA (signed)
by Simon Lehner
Euro 34 -
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Euro 99 -
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by Raghu Rai
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by Michael Kenna
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by Vincent Delbrouck
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