I Will Keep You in Good Company (signed)
by Liz Johnson Artur
Photographs: Liz Johnson Artur
Publisher: Mack Books
192 pages
Year: September 2025
ISBN: 978-1-917651-17-2
Price: 71.5 €
Comments: Hardcover, 24.5 x 30 cm
I Will Keep You in Good Company brings together pages and fragments from over twenty of Ghanaian-Russian artist Liz Johnson Artur’s personal workbooks – handmade volumes she has kept since the early 1990s. Part diary, part experimental playground, these books are where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life itself.
Each page is a tactile surface, combining photographic prints on canvas, tracing paper, faxes, and photo stock with screen-prints, handwriting, and clipped texts. The result is a sensorial, intimate archive of moments lived and witnessed – of friends, family, strangers, lovers – held with care and attention.
‘I like to be right next to it, in the middle of it, to take it home’, Johnson Artur writes. ‘To keep them close is a way of giving importance and appreciation.’ These workbooks are acts of presence – visual thinking made physical – and the foundation for her celebrated Black Balloon Archive, a project that honours communities across the African diaspora. I Will Keep You in Good Company is a candid, generous record of a photographer learning not only how to look, but how to stay close.
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I Will Keep You in Good Company (signed)
by Liz Johnson Artur
Photographs: Liz Johnson Artur
Publisher: Mack Books
192 pages
Year: September 2025
ISBN: 978-1-917651-17-2
Price: 71.5 €
Comments: Hardcover, 24.5 x 30 cm
I Will Keep You in Good Company brings together pages and fragments from over twenty of Ghanaian-Russian artist Liz Johnson Artur’s personal workbooks – handmade volumes she has kept since the early 1990s. Part diary, part experimental playground, these books are where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life itself.
Each page is a tactile surface, combining photographic prints on canvas, tracing paper, faxes, and photo stock with screen-prints, handwriting, and clipped texts. The result is a sensorial, intimate archive of moments lived and witnessed – of friends, family, strangers, lovers – held with care and attention.
‘I like to be right next to it, in the middle of it, to take it home’, Johnson Artur writes. ‘To keep them close is a way of giving importance and appreciation.’ These workbooks are acts of presence – visual thinking made physical – and the foundation for her celebrated Black Balloon Archive, a project that honours communities across the African diaspora. I Will Keep You in Good Company is a candid, generous record of a photographer learning not only how to look, but how to stay close.
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by Yoshioka Sarasa
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Et le bleu du ciel dans l’ombre
by Manuela Marques
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by Albarran Cabrera
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by Nikita Teryoshin
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by Fyodor Telkov, Sergey Poteryaev
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I Will Keep You in Good Company (signed)
by Liz Johnson Artur
Photographs: Liz Johnson Artur
Publisher: Mack Books
192 pages
Year: September 2025
ISBN: 978-1-917651-17-2
Price: 71.5 €
Comments: Hardcover, 24.5 x 30 cm
I Will Keep You in Good Company brings together pages and fragments from over twenty of Ghanaian-Russian artist Liz Johnson Artur’s personal workbooks – handmade volumes she has kept since the early 1990s. Part diary, part experimental playground, these books are where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life itself.
Each page is a tactile surface, combining photographic prints on canvas, tracing paper, faxes, and photo stock with screen-prints, handwriting, and clipped texts. The result is a sensorial, intimate archive of moments lived and witnessed – of friends, family, strangers, lovers – held with care and attention.
‘I like to be right next to it, in the middle of it, to take it home’, Johnson Artur writes. ‘To keep them close is a way of giving importance and appreciation.’ These workbooks are acts of presence – visual thinking made physical – and the foundation for her celebrated Black Balloon Archive, a project that honours communities across the African diaspora. I Will Keep You in Good Company is a candid, generous record of a photographer learning not only how to look, but how to stay close.
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Small Town
by Osamu Yokonami
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Tumble
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Euro 49.50 -
The Tale of Genji - Colors of the fifty-four chapters
by Yoshioka Sarasa
Euro 32 -
Et le bleu du ciel dans l’ombre
by Manuela Marques
Euro 34 -
The World's First Photobook was Blue
by Albarran Cabrera
sold out -
Fragments of Fietas
by David Goldblatt
Euro 44
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Kunhinga Portraits (signed)
by Guy Tillim
sold out -
Afrika im Schmuck
by Angela Fisher
Euro 66 -
The Return (signed - last copy)
by Salih Basheer
Euro 65.00 -
Rainbow Transit
by Per-Anders Pettersson
sold out -
Far Away Eyes
by Frank Hallam Day
Euro 30 12.00 -
The Return
by Salih Basheer
Euro 47.50
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Floating Bonds (signed)
by Regina Anzenberger
Euro 44 -
Skin Memories
by Thomas Mailaender
sold out -
Roots & Waltz (book + print)
by Regina Anzenberger
Euro 180 -
Lejos de la Tierra
by Irene Zottola
sold out -
Roots & Waltz (poster)
by Regina Anzenberger
Euro 49 -
Chambre d'(a)pesanteur (last copies)
by Gabriela Morawetz
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Phantom Pain
by Katya Demidova
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