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Et le bleu du ciel dans l’ombre

by Manuela Marques

Photographs: Manuela Marques

Text: Gille A. Tiberghien

Publisher: Loco

128 pages

ISBN: 978-2-843140-02-0

Price: 34 €

Comments: 22x28,5 cm; approximately 70 four-color reproductions, silk-screened full cloth binding; Graphic design : Annelise Cochet; In partnership with the museum of Lodève and the museum of La Roche-sur-Yon.

And the blue of the sky in the shadow of Manuela Marques returns to the singular experience of the landscape that the artist was able to develop at the invitation of the museum of Lodève. Rather than privileging large photographs with spectacular viewpoints - which the Larzac plateaus or the surroundings of the Salagou lake easily inspire - she preferred to experiment with a more intimate and sensitive approach to the landscape. Observation, displacement, and collection of elements (stones, wood, plants) are an integral part of the development of the work. The artist then integrated these collections into botanical plates of a new kind or into large photographic compositions where optical illusions, black mirrors and reflections create a new point of view: between the vision of a landscape and the imagination that it provokes. In a way, she reinvents a landscape through what intrinsically constitutes it.

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look inside

Et le bleu du ciel dans l’ombre

by Manuela Marques

Photographs: Manuela Marques

Text: Gille A. Tiberghien

Publisher: Loco

128 pages

ISBN: 978-2-843140-02-0

Price: 34 €

Comments: 22x28,5 cm; approximately 70 four-color reproductions, silk-screened full cloth binding; Graphic design : Annelise Cochet; In partnership with the museum of Lodève and the museum of La Roche-sur-Yon.

And the blue of the sky in the shadow of Manuela Marques returns to the singular experience of the landscape that the artist was able to develop at the invitation of the museum of Lodève. Rather than privileging large photographs with spectacular viewpoints - which the Larzac plateaus or the surroundings of the Salagou lake easily inspire - she preferred to experiment with a more intimate and sensitive approach to the landscape. Observation, displacement, and collection of elements (stones, wood, plants) are an integral part of the development of the work. The artist then integrated these collections into botanical plates of a new kind or into large photographic compositions where optical illusions, black mirrors and reflections create a new point of view: between the vision of a landscape and the imagination that it provokes. In a way, she reinvents a landscape through what intrinsically constitutes it.

more books tagged »nature« | >> see all