Daughters of the Sun 2018 (signed)
by Claire Felicie
Photographs: Claire Felicie
Publisher: Self-Published
Year: 2018
Comments: Handmade leporello, limited edition of 25
Claire Felicie, a photographer based in Amsterdam, visited Iraqi Kurdistan twice: in 2017 and 2018. This handmade leporello gives an impression of these journeys and her encounters with female Peshmerga fighters. She shot the portraits and landscapes on film and printed all postcard-size photos in her own darkroom. The outcome: this leporello with an additional handwritten letter, is a celebration of hand labor. An ode to analog photography in a digital age.
From the review by Sabrina Mandanici in Collector Daily, 2019:
Photographs have never been able to capture the invisible, such as beliefs, convictions, or of any sensation residing in the heart, the mind, or in-between – yet, in the hands of the right photographer, they can be evoked through metaphors, both visual and verbal. Felicie has done so, elegantly and sensitively, in her previous projects, such as Only the Sky Remains Untouched, exploring the syndrome of post-traumatic stress disorder of Dutch veterans and Here Are the Young Men, investigating the visual effects of war upon the faces of young marines. In Daughters of the Sun, emotional clues about who her subjects might be, or rather, what motivates them to fight, are palpable in the tender close-ups of the women’s hands, affectionately holding objects given by, or reminding them of, their loved ones – such as necklaces and pendants, an old passport, or the photographs of a deceased brother, of a small child, kept on their phones; which, through cracked screens, invoke an uncanny feeling of sad intuition.
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Daughters of the Sun 2018 (signed)
by Claire Felicie
Photographs: Claire Felicie
Publisher: Self-Published
Year: 2018
Comments: Handmade leporello, limited edition of 25
Claire Felicie, a photographer based in Amsterdam, visited Iraqi Kurdistan twice: in 2017 and 2018. This handmade leporello gives an impression of these journeys and her encounters with female Peshmerga fighters. She shot the portraits and landscapes on film and printed all postcard-size photos in her own darkroom. The outcome: this leporello with an additional handwritten letter, is a celebration of hand labor. An ode to analog photography in a digital age.
From the review by Sabrina Mandanici in Collector Daily, 2019:
Photographs have never been able to capture the invisible, such as beliefs, convictions, or of any sensation residing in the heart, the mind, or in-between – yet, in the hands of the right photographer, they can be evoked through metaphors, both visual and verbal. Felicie has done so, elegantly and sensitively, in her previous projects, such as Only the Sky Remains Untouched, exploring the syndrome of post-traumatic stress disorder of Dutch veterans and Here Are the Young Men, investigating the visual effects of war upon the faces of young marines. In Daughters of the Sun, emotional clues about who her subjects might be, or rather, what motivates them to fight, are palpable in the tender close-ups of the women’s hands, affectionately holding objects given by, or reminding them of, their loved ones – such as necklaces and pendants, an old passport, or the photographs of a deceased brother, of a small child, kept on their phones; which, through cracked screens, invoke an uncanny feeling of sad intuition.
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Daughters of the Sun 2018 (signed)
by Claire Felicie
Photographs: Claire Felicie
Publisher: Self-Published
Year: 2018
Comments: Handmade leporello, limited edition of 25
Claire Felicie, a photographer based in Amsterdam, visited Iraqi Kurdistan twice: in 2017 and 2018. This handmade leporello gives an impression of these journeys and her encounters with female Peshmerga fighters. She shot the portraits and landscapes on film and printed all postcard-size photos in her own darkroom. The outcome: this leporello with an additional handwritten letter, is a celebration of hand labor. An ode to analog photography in a digital age.
From the review by Sabrina Mandanici in Collector Daily, 2019:
Photographs have never been able to capture the invisible, such as beliefs, convictions, or of any sensation residing in the heart, the mind, or in-between – yet, in the hands of the right photographer, they can be evoked through metaphors, both visual and verbal. Felicie has done so, elegantly and sensitively, in her previous projects, such as Only the Sky Remains Untouched, exploring the syndrome of post-traumatic stress disorder of Dutch veterans and Here Are the Young Men, investigating the visual effects of war upon the faces of young marines. In Daughters of the Sun, emotional clues about who her subjects might be, or rather, what motivates them to fight, are palpable in the tender close-ups of the women’s hands, affectionately holding objects given by, or reminding them of, their loved ones – such as necklaces and pendants, an old passport, or the photographs of a deceased brother, of a small child, kept on their phones; which, through cracked screens, invoke an uncanny feeling of sad intuition.
more books tagged »black and white« | >> see all
-
VIALATTEA (signed)
by Ilias Georgiadis
Euro 52 -
Auf Bertolt Brechts Spuren
by Birgit Lahann und Ute Mahler
Euro 18 9.00 -
South Africa. The Structure of Things Then
by David Goldblatt
Euro 150 -
Portraits and Dreams
by Wendy Ewald
sold out -
Sale Sudore Sangue (signed - last copy)
by Francesco Zizola
Euro 49 -
In Boksburg (signed)
by David Goldblatt
Euro 350
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by Bertien van Manen
sold out -
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by Rob Hornstra
Euro 9.50 -
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by Sara Blokland
Euro 34
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by Valentino Barachini
sold out -
SILENCE (signed)
by Ellen Korth
Euro 175 -
Garden
by Larissa Cox
Euro 1470 -
Fragments from utopia (signed - last copy)
by Alison McCauley
sold out -
Finisterrae - 2/5 terra di confine
by Michele Palazzi
sold out -
Domestic Landscapes (signed + prints)
by Valentino Barachini
sold out
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Paulo (signed)
by Katharina Fröschl-Roßboth
Euro 23 -
Oyster
by Marco Marzocchi
sold out -
Dansende Spoken (signed)
by Ellen Korth
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-
Forever
by Sissi Farassat
Euro 20 -
Sequence (signed)
by Sissi Farassat
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Touch - World Press Photo
by Joop Swart Masterclass 2009
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by Serge Michel & Paolo Woods
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by Newsha Tavakolian
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