New Slovak Photography
by Group
Photographs: Andrej Balco, Martin Kollar, Symon Kliman (photo), Lucia Nimcova, Viktor Szemzö, Juraj Chlpik, Jana Ilkova, Petra Cepkova, Marek Kvetan, Petra Bosanska, Filip Jurkovic, Dalibor Krupka, Pavel Maria Sme
Text: Lucia L. Fišerová, Václav Macek
Publisher: Central European House of Photography
104 pages
Year: 2009
ISBN: 978-80-85739-47-3
Price: 15 €
The exhibition „New Slovak Photography“ is a free continuation of the two shows on Slovak photography organized by the association FOTOFO – „Contemporary Slovak Photography“ and „Young Slovak Photography“ – these were mapping changing forms of this medium in the course of the 90’s. The current exhibition offers an overview of the situation in the Slovak photography after 2000, mainly in the last 3-4 years. Through works of presented authors it reflects new approaches in form, content, topics, and used technics as well. What represents a big shift comparing to the previous decade is an increasing usage of a photographic image by authors who do not primary regard themselves as photographers, but for which photography is rather one of important means of expression. This phenomenon is closely linked to expanding of a topic frame; authors do not focus anymore exclusively on a formal and technical perfection of image (also because of a different artistic specialization and education). They introduce socially engaged topics from the field of politics, economics and contemporary lifestyle in their work, using colour photography above all. In these topics, authors often cope with recent political past and presence of Slovakia, as well as with global problems of the world; all as sort of a visual archeology. The exhibition reflects a longer-term trend of genres merging and dissolving of their established definitions by still more frequent usage of digital manipulation as means testing medium limits (e.g. in the photographic document). In other digitally manipulated series, authors put also a purely formal question what it is exactly an image and what is its essence. A concept of photography as an image carrying information based on social relations has brought with itself also questioning of clear borders between the „amateur“ or „craft“ photography and the „artistic“ one. Last but not least, the problem of identity, gender and intergeneration or social relations directed to face and body, either in an interiour intimacy or in an absurd situation of man in a countryside or urban environment characterizes the Slovak photography. The current show of the new Slovak photography should serve as a kind of probe in the depth of this medium in Slovakia at the time when the long time ago disturbed waters of political and medial revolution have stilled. Lucia L. Fišerová, Václav Macek
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New Slovak Photography
by Group
Photographs: Andrej Balco, Martin Kollar, Symon Kliman (photo), Lucia Nimcova, Viktor Szemzö, Juraj Chlpik, Jana Ilkova, Petra Cepkova, Marek Kvetan, Petra Bosanska, Filip Jurkovic, Dalibor Krupka, Pavel Maria Sme
Text: Lucia L. Fišerová, Václav Macek
Publisher: Central European House of Photography
104 pages
Year: 2009
ISBN: 978-80-85739-47-3
Price: 15 €
The exhibition „New Slovak Photography“ is a free continuation of the two shows on Slovak photography organized by the association FOTOFO – „Contemporary Slovak Photography“ and „Young Slovak Photography“ – these were mapping changing forms of this medium in the course of the 90’s. The current exhibition offers an overview of the situation in the Slovak photography after 2000, mainly in the last 3-4 years. Through works of presented authors it reflects new approaches in form, content, topics, and used technics as well. What represents a big shift comparing to the previous decade is an increasing usage of a photographic image by authors who do not primary regard themselves as photographers, but for which photography is rather one of important means of expression. This phenomenon is closely linked to expanding of a topic frame; authors do not focus anymore exclusively on a formal and technical perfection of image (also because of a different artistic specialization and education). They introduce socially engaged topics from the field of politics, economics and contemporary lifestyle in their work, using colour photography above all. In these topics, authors often cope with recent political past and presence of Slovakia, as well as with global problems of the world; all as sort of a visual archeology. The exhibition reflects a longer-term trend of genres merging and dissolving of their established definitions by still more frequent usage of digital manipulation as means testing medium limits (e.g. in the photographic document). In other digitally manipulated series, authors put also a purely formal question what it is exactly an image and what is its essence. A concept of photography as an image carrying information based on social relations has brought with itself also questioning of clear borders between the „amateur“ or „craft“ photography and the „artistic“ one. Last but not least, the problem of identity, gender and intergeneration or social relations directed to face and body, either in an interiour intimacy or in an absurd situation of man in a countryside or urban environment characterizes the Slovak photography. The current show of the new Slovak photography should serve as a kind of probe in the depth of this medium in Slovakia at the time when the long time ago disturbed waters of political and medial revolution have stilled. Lucia L. Fišerová, Václav Macek
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by Andrej Balco
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by Viviane Sassen
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New Slovak Photography
by Group
Photographs: Andrej Balco, Martin Kollar, Symon Kliman (photo), Lucia Nimcova, Viktor Szemzö, Juraj Chlpik, Jana Ilkova, Petra Cepkova, Marek Kvetan, Petra Bosanska, Filip Jurkovic, Dalibor Krupka, Pavel Maria Sme
Text: Lucia L. Fišerová, Václav Macek
Publisher: Central European House of Photography
104 pages
Year: 2009
ISBN: 978-80-85739-47-3
Price: 15 €
The exhibition „New Slovak Photography“ is a free continuation of the two shows on Slovak photography organized by the association FOTOFO – „Contemporary Slovak Photography“ and „Young Slovak Photography“ – these were mapping changing forms of this medium in the course of the 90’s. The current exhibition offers an overview of the situation in the Slovak photography after 2000, mainly in the last 3-4 years. Through works of presented authors it reflects new approaches in form, content, topics, and used technics as well. What represents a big shift comparing to the previous decade is an increasing usage of a photographic image by authors who do not primary regard themselves as photographers, but for which photography is rather one of important means of expression. This phenomenon is closely linked to expanding of a topic frame; authors do not focus anymore exclusively on a formal and technical perfection of image (also because of a different artistic specialization and education). They introduce socially engaged topics from the field of politics, economics and contemporary lifestyle in their work, using colour photography above all. In these topics, authors often cope with recent political past and presence of Slovakia, as well as with global problems of the world; all as sort of a visual archeology. The exhibition reflects a longer-term trend of genres merging and dissolving of their established definitions by still more frequent usage of digital manipulation as means testing medium limits (e.g. in the photographic document). In other digitally manipulated series, authors put also a purely formal question what it is exactly an image and what is its essence. A concept of photography as an image carrying information based on social relations has brought with itself also questioning of clear borders between the „amateur“ or „craft“ photography and the „artistic“ one. Last but not least, the problem of identity, gender and intergeneration or social relations directed to face and body, either in an interiour intimacy or in an absurd situation of man in a countryside or urban environment characterizes the Slovak photography. The current show of the new Slovak photography should serve as a kind of probe in the depth of this medium in Slovakia at the time when the long time ago disturbed waters of political and medial revolution have stilled. Lucia L. Fišerová, Václav Macek
More books by Group
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CASA AZUL (signed)
by Group
Euro 69 -
In Their Mothers' Eyes. Women Photographers and Their Childre
by Group
Euro 75
more books tagged »nude« | >> see all
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Zine Collection N°25: No Time (signed + print)
by Aaron Mc Elroy
sold out -
Corpus (signed)
by Daisuke Yokota
sold out -
Zine Collection N°20: Menstrual (signed + print - last copy)
by 9mouth
sold out -
Naked (signed)
by Rimaldas Viksraitis
sold out -
Transparency is the new mystery (last copy)
by Mayumi Hosokura
Euro 38.50 -
Diary
by Boris Mikhailov
sold out
more books tagged »Eastern Europe« | >> see all
-
Poland - In search of diamonds
by Tomasz Wiech
Euro 33 -
HOMOurban (signed - last two copies)
by Imrich Veber
Euro 33 -
east - west (special offer! - 2 books)
by Regina Maria Anzenberger
Euro 98 49.00 -
Praha
by Josef Sudek
Euro 360 -
Fruit Garden (signed)
by Sputnik Photos
Euro 52 31.20 -
After the Thaw
by Tomoko Yoneda
Euro 64
more books tagged »Slovakian« | >> see all
-
This Place
by various photographers
sold out -
Field Trip (signed - last copy)
by Martin Kollar
sold out -
east (signed)
by Regina Maria Anzenberger
Euro 99 49.50 -
Domesticas
by Andrej Balco
Euro 20 -
At the Border (last copy)
by Sputnik Photos
Euro 125 -
Field Trip
by Martin Kollar
sold out
more books tagged »portrait« | >> see all
-
Real Fake Art
by Michael Wolf
sold out -
Lupimaris (book + print - last copy)
by Christian Stemper
Euro 120 -
Real Fake Art (signed)
by Michael Wolf
sold out -
A Photographic Discovery
by Regina Maria Anzenberger
Euro 99.90 -
Etan & Me
by Viviane Sassen
sold out -
Menschenbilder (signed)
by Michael Horowitz
Euro 98
Random selection from the Virtual bookshelf josefchladek.com