Associated Nostalgia (signed)
by Eugenia Maximova
Photographs: Eugenia Maximova
Text: Christian Caujolle
Publisher: lafabrica
84 pages
Pictures: 50
Year: 2015
ISBN: 978–84–16248–15–5
Price: 35 €
Comments: 21 x 25 cm
The Bulgarian photographer Eugenia Maximova recognises that many of her childhood memories are related to the kitsch aesthetic. During the communist years, which were characterised by a shortage of goods, showing off objects became the most obvious and naïf way of boasting certain possessions. These extravagant, gaudy items were displayed in glass cabinets and became apoint of family pride. Maximova commemorates this brightlycoloured aesthetic in this volume of kitsch images, compositions that say as much about today as Baroque still lifes. The book includes an introduction by Christian Caujolle.
Mentioned by Lederman / Yatskevich / Lang in HOW WE SEE PHOTOBOOKS BY WOMEN
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Associated Nostalgia (signed)
by Eugenia Maximova
Photographs: Eugenia Maximova
Text: Christian Caujolle
Publisher: lafabrica
84 pages
Pictures: 50
Year: 2015
ISBN: 978–84–16248–15–5
Price: 35 €
Comments: 21 x 25 cm
The Bulgarian photographer Eugenia Maximova recognises that many of her childhood memories are related to the kitsch aesthetic. During the communist years, which were characterised by a shortage of goods, showing off objects became the most obvious and naïf way of boasting certain possessions. These extravagant, gaudy items were displayed in glass cabinets and became apoint of family pride. Maximova commemorates this brightlycoloured aesthetic in this volume of kitsch images, compositions that say as much about today as Baroque still lifes. The book includes an introduction by Christian Caujolle.
Mentioned by Lederman / Yatskevich / Lang in HOW WE SEE PHOTOBOOKS BY WOMEN
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Random selection from the Virtual bookshelf josefchladek.com
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;jpg?c=7ed9b7744dff48746410e69ae8665ac4)
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Associated Nostalgia (signed)
by Eugenia Maximova
Photographs: Eugenia Maximova
Text: Christian Caujolle
Publisher: lafabrica
84 pages
Pictures: 50
Year: 2015
ISBN: 978–84–16248–15–5
Price: 35 €
Comments: 21 x 25 cm
The Bulgarian photographer Eugenia Maximova recognises that many of her childhood memories are related to the kitsch aesthetic. During the communist years, which were characterised by a shortage of goods, showing off objects became the most obvious and naïf way of boasting certain possessions. These extravagant, gaudy items were displayed in glass cabinets and became apoint of family pride. Maximova commemorates this brightlycoloured aesthetic in this volume of kitsch images, compositions that say as much about today as Baroque still lifes. The book includes an introduction by Christian Caujolle.
Mentioned by Lederman / Yatskevich / Lang in HOW WE SEE PHOTOBOOKS BY WOMEN
More books by Eugenia Maximova
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Kitchen Stories from the Balkans (signed - last copies)
by Eugenia Maximova
sold out -
Kitchen Stories from the Balkans (signed + print)
by Eugenia Maximova
Euro 220
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I'm Good I'm Great I'm Wonderful
by Vesselina Nikolaeva
Euro 15 -
Yesterday when I was little (signed)
by Vesselina Nikolaeva
Euro 75 -
School no7 (signed)
by Vesselina Nikolaeva
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Simply a Line (signed)
by Vesselina Nikolaeva
sold out -
BABA (signed - last copy)
by Vesselina Nikolaeva
Euro 44 -
Forget Your Past (signed)
by Nikola Mihov
sold out
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Hong Kong Coat Hangers
by Michael Wolf
sold out -
Graphis Photo 97
by B. Martin Pedersen
Euro 50 -
One Third (signed)
by Klaus Pichler
Euro 22 -
Mes Nuits (signed + numbered)
by Gil Rigoulet
sold out -
Blumenstück (signed)
by Irina Ruppert
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Poem as an Object (signed + print)
by Wypke Jannette Walen
Euro 165
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Grimaces of the Weary Villages (last copies)
by Rimaldas Viksraitis
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by Irina Ruppert
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by Adam Lach
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