Blumenstück (signed)
by Irina Ruppert
Photographs: Irina Ruppert
Text: Martin Roman Deppner
Publisher: hyperzine
24 pages
Pictures: 11
Year: 2012
ISBN: 978-3-938218-43-3
Price: 19.80 €
Comments: with a real pressed flower on the last page along with the signing
With *Blumenstück* I started when I was grieving for my father.
Flowers and plants, growing and blooming, withering and fading, are shining in rays of sunlight against a pitch-black background. They seem to be floating and are entirely raised out their surroundings, drawing the viewer’s gaze to their shapes and colours, onto their leaves and blossoms. Irina Ruppert’s “flower portraits” recall the lush arrangements of Dutch painter Rachel Ruysch during the baroque era, or Yoshihiko Ueda’s minimalistic flower photographs. What differentiates Irina Ruppert’s work from classical flower still lifes is her focus on the potted plant and its particular visual relation to its respective container. These improvised, typically Balkan, flower pots, the planting and re-potting, the arranging and photographing – all this reflects the Kazakh origin of the photographer and her bonds to Eastern Europe. The revival of this tradition becomes a sensual and symbolic debate on her own uprooting. A breath of melancholy, a tender hint of transience and loss, of vanitas and vulnerability, is expressed in the fading leaves and rusty tins. Irina Ruppert’s flower still lifes depict not only the beauty of the plants and pots but also her personal memories; they provide continuance and seem to call after the viewer in the manner of Goethe: “Ah, linger on, though art so fair!” Sophia Greiff 10/2010
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Blumenstück (signed)
by Irina Ruppert
Photographs: Irina Ruppert
Text: Martin Roman Deppner
Publisher: hyperzine
24 pages
Pictures: 11
Year: 2012
ISBN: 978-3-938218-43-3
Price: 19.80 €
Comments: with a real pressed flower on the last page along with the signing
With *Blumenstück* I started when I was grieving for my father.
Flowers and plants, growing and blooming, withering and fading, are shining in rays of sunlight against a pitch-black background. They seem to be floating and are entirely raised out their surroundings, drawing the viewer’s gaze to their shapes and colours, onto their leaves and blossoms. Irina Ruppert’s “flower portraits” recall the lush arrangements of Dutch painter Rachel Ruysch during the baroque era, or Yoshihiko Ueda’s minimalistic flower photographs. What differentiates Irina Ruppert’s work from classical flower still lifes is her focus on the potted plant and its particular visual relation to its respective container. These improvised, typically Balkan, flower pots, the planting and re-potting, the arranging and photographing – all this reflects the Kazakh origin of the photographer and her bonds to Eastern Europe. The revival of this tradition becomes a sensual and symbolic debate on her own uprooting. A breath of melancholy, a tender hint of transience and loss, of vanitas and vulnerability, is expressed in the fading leaves and rusty tins. Irina Ruppert’s flower still lifes depict not only the beauty of the plants and pots but also her personal memories; they provide continuance and seem to call after the viewer in the manner of Goethe: “Ah, linger on, though art so fair!” Sophia Greiff 10/2010
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Blumenstück (signed)
by Irina Ruppert
Photographs: Irina Ruppert
Text: Martin Roman Deppner
Publisher: hyperzine
24 pages
Pictures: 11
Year: 2012
ISBN: 978-3-938218-43-3
Price: 19.80 €
Comments: with a real pressed flower on the last page along with the signing
With *Blumenstück* I started when I was grieving for my father.
Flowers and plants, growing and blooming, withering and fading, are shining in rays of sunlight against a pitch-black background. They seem to be floating and are entirely raised out their surroundings, drawing the viewer’s gaze to their shapes and colours, onto their leaves and blossoms. Irina Ruppert’s “flower portraits” recall the lush arrangements of Dutch painter Rachel Ruysch during the baroque era, or Yoshihiko Ueda’s minimalistic flower photographs. What differentiates Irina Ruppert’s work from classical flower still lifes is her focus on the potted plant and its particular visual relation to its respective container. These improvised, typically Balkan, flower pots, the planting and re-potting, the arranging and photographing – all this reflects the Kazakh origin of the photographer and her bonds to Eastern Europe. The revival of this tradition becomes a sensual and symbolic debate on her own uprooting. A breath of melancholy, a tender hint of transience and loss, of vanitas and vulnerability, is expressed in the fading leaves and rusty tins. Irina Ruppert’s flower still lifes depict not only the beauty of the plants and pots but also her personal memories; they provide continuance and seem to call after the viewer in the manner of Goethe: “Ah, linger on, though art so fair!” Sophia Greiff 10/2010
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more books tagged »Kazakhstan« | >> see all
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Let's sit down before we go (last copy)
by Bertien van Manen
Euro 195 -
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by Bertien van Manen
sold out
more books tagged »still life« | >> see all
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Fotografijos / Photographs 1987-2012
by Remigijus Treigys
Euro 125 -
One Third (signed + print - last copies)
by Klaus Pichler
Euro 220 -
Hong Kong Rubber Boots and Shoes (signed - last copy)
by Michael Wolf
sold out -
Associated Nostalgia (signed)
by Eugenia Maximova
Euro 35 -
Real Food
by Martin Parr
Euro 22 -
Kuroyami (signed)
by Sakiko Nomura
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Gift
by Rinko Kawauchi,Terri Weifenbach
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Nürnberg (signed - last copy)
by Jürgen Teller
sold out -
Blütenstände (signed)
by Annabelle Fürstenau
sold out -
Bamboo
by Choi Byung-Kwan
sold out -
The Photography of Nature & The Nature of Photography
by Joan Fontcuberta
sold out -
Poem as an Object (signed + print)
by Wypke Jannette Walen
Euro 165
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BOXEN & BLUMEN
by Giovanni Castell
Euro 49 -
Blossom
by Thomas Demand
sold out -
Gstettn - The Illusion of Summer (last copies)
by Regina Anzenberger
Euro 29 -
100 Flowers (signed)
by Tanja Lažetić
Euro 49 -
Gstettn - Winter Flowers
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