Live Burls
by Kirk Crippens & Gretchen LeMaistre
Publisher: Schilt Publishing
64 pages
Pictures: 28
Year: 2017
ISBN: ISBN: 9789053308813
Price: 48 €
Comments: Design: LevievanderMeer, 28 x 34 cm, Hardcover with cloth cover and inlaid photograph
In 2013, an alarming number of Redwood National Park redwood trees were shorn of their knobby protrusions, called burls. The trees were disfigured by thieves aiming to sell the distinctive burl wood on the black market. One team was bold enough to fell an entire tree for its burl. Concerned over the welfare of these iconic treasures, Kirk Crippens and Gretchen LeMaistre worked with park rangers to access each damaged tree. From 2013 to 2016, they made many visits to the redwood forests of Humboldt County, California, observing the trees in changing light and seasons.
Redwood trees are living witnesses to our human history, sometimes existing for as long as three thousand yeargs. Out of respect for their ancient heritage, and after an extended period of aggressive logging in the late 1800s, Theodore Roosevelt championed protection efforts that led to the formation of the National Park Service. Pioneering photographers such as Carleton Watkins and Eadweard Muybridge also fostered preservation through their striking images, many of which influenced the United States Congress. Crippens and LeMaistre honor the link between the history of photography and conservation by retracing the paths and methods of the early photographic masters.
Today less than 5% of old-growth coast redwood forest remains in the Northern Hemisphere, most living in the Redwood National and State Parks of the United States. Since redwoods propagate through their burls, poached trees’ ability to reproduce is threatened. They also become vulnerable to disease. Decades may pass before the full impact on the forest can be assessed. Live Burls marks the conflict between entitled consumption and celebration of natural resources at the heart of the American ethos.
Based in San Francisco, Kirk Crippens and Gretchen LeMaistre have worked on collaborative projects and individual works for over a decade. Live Burls prints are held in the collections of the Smithsonian Institution, Washington D.C., USA; the Museum of Fine Arts in Houston, USA; and RayKo Photo Center, San Francisco, USA. In 2016 and 2017, Live Burls was exhibited at Candela Gallery, Richmond, VA, USA; and Datz Museum of Art, Gwangju, South Korea.
Reviews & Features
Lenscratch
fotoMAGAZIN
TIME
aCurator
‘A masterpiece!’
Manfred Zollner, fotoMAGAZIN
‘In the damaged and dying Redwoods, and in Crippens and LeMaistre’s photographs, we can see yet another result of America’s culture of self-interest.’
Conor Risch, PDN
'A grove of giant redwoods or sequoias should be kept just as we keep a great or beautiful cathedral.’
Theodore Rooseveltn
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Live Burls
by Kirk Crippens & Gretchen LeMaistre
Publisher: Schilt Publishing
64 pages
Pictures: 28
Year: 2017
ISBN: ISBN: 9789053308813
Price: 48 €
Comments: Design: LevievanderMeer, 28 x 34 cm, Hardcover with cloth cover and inlaid photograph
In 2013, an alarming number of Redwood National Park redwood trees were shorn of their knobby protrusions, called burls. The trees were disfigured by thieves aiming to sell the distinctive burl wood on the black market. One team was bold enough to fell an entire tree for its burl. Concerned over the welfare of these iconic treasures, Kirk Crippens and Gretchen LeMaistre worked with park rangers to access each damaged tree. From 2013 to 2016, they made many visits to the redwood forests of Humboldt County, California, observing the trees in changing light and seasons.
Redwood trees are living witnesses to our human history, sometimes existing for as long as three thousand yeargs. Out of respect for their ancient heritage, and after an extended period of aggressive logging in the late 1800s, Theodore Roosevelt championed protection efforts that led to the formation of the National Park Service. Pioneering photographers such as Carleton Watkins and Eadweard Muybridge also fostered preservation through their striking images, many of which influenced the United States Congress. Crippens and LeMaistre honor the link between the history of photography and conservation by retracing the paths and methods of the early photographic masters.
Today less than 5% of old-growth coast redwood forest remains in the Northern Hemisphere, most living in the Redwood National and State Parks of the United States. Since redwoods propagate through their burls, poached trees’ ability to reproduce is threatened. They also become vulnerable to disease. Decades may pass before the full impact on the forest can be assessed. Live Burls marks the conflict between entitled consumption and celebration of natural resources at the heart of the American ethos.
Based in San Francisco, Kirk Crippens and Gretchen LeMaistre have worked on collaborative projects and individual works for over a decade. Live Burls prints are held in the collections of the Smithsonian Institution, Washington D.C., USA; the Museum of Fine Arts in Houston, USA; and RayKo Photo Center, San Francisco, USA. In 2016 and 2017, Live Burls was exhibited at Candela Gallery, Richmond, VA, USA; and Datz Museum of Art, Gwangju, South Korea.
Reviews & Features
Lenscratch
fotoMAGAZIN
TIME
aCurator
‘A masterpiece!’
Manfred Zollner, fotoMAGAZIN
‘In the damaged and dying Redwoods, and in Crippens and LeMaistre’s photographs, we can see yet another result of America’s culture of self-interest.’
Conor Risch, PDN
'A grove of giant redwoods or sequoias should be kept just as we keep a great or beautiful cathedral.’
Theodore Rooseveltn
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by Rosalind Fox Solomon
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Live Burls
by Kirk Crippens & Gretchen LeMaistre
Publisher: Schilt Publishing
64 pages
Pictures: 28
Year: 2017
ISBN: ISBN: 9789053308813
Price: 48 €
Comments: Design: LevievanderMeer, 28 x 34 cm, Hardcover with cloth cover and inlaid photograph
In 2013, an alarming number of Redwood National Park redwood trees were shorn of their knobby protrusions, called burls. The trees were disfigured by thieves aiming to sell the distinctive burl wood on the black market. One team was bold enough to fell an entire tree for its burl. Concerned over the welfare of these iconic treasures, Kirk Crippens and Gretchen LeMaistre worked with park rangers to access each damaged tree. From 2013 to 2016, they made many visits to the redwood forests of Humboldt County, California, observing the trees in changing light and seasons.
Redwood trees are living witnesses to our human history, sometimes existing for as long as three thousand yeargs. Out of respect for their ancient heritage, and after an extended period of aggressive logging in the late 1800s, Theodore Roosevelt championed protection efforts that led to the formation of the National Park Service. Pioneering photographers such as Carleton Watkins and Eadweard Muybridge also fostered preservation through their striking images, many of which influenced the United States Congress. Crippens and LeMaistre honor the link between the history of photography and conservation by retracing the paths and methods of the early photographic masters.
Today less than 5% of old-growth coast redwood forest remains in the Northern Hemisphere, most living in the Redwood National and State Parks of the United States. Since redwoods propagate through their burls, poached trees’ ability to reproduce is threatened. They also become vulnerable to disease. Decades may pass before the full impact on the forest can be assessed. Live Burls marks the conflict between entitled consumption and celebration of natural resources at the heart of the American ethos.
Based in San Francisco, Kirk Crippens and Gretchen LeMaistre have worked on collaborative projects and individual works for over a decade. Live Burls prints are held in the collections of the Smithsonian Institution, Washington D.C., USA; the Museum of Fine Arts in Houston, USA; and RayKo Photo Center, San Francisco, USA. In 2016 and 2017, Live Burls was exhibited at Candela Gallery, Richmond, VA, USA; and Datz Museum of Art, Gwangju, South Korea.
Reviews & Features
Lenscratch
fotoMAGAZIN
TIME
aCurator
‘A masterpiece!’
Manfred Zollner, fotoMAGAZIN
‘In the damaged and dying Redwoods, and in Crippens and LeMaistre’s photographs, we can see yet another result of America’s culture of self-interest.’
Conor Risch, PDN
'A grove of giant redwoods or sequoias should be kept just as we keep a great or beautiful cathedral.’
Theodore Rooseveltn
more books tagged »America« | >> see all
-
Grays the mountain sends (first edition - signed)
by Bryan Schutmaat
sold out -
New York Waterways
by Susannah Ray
Euro 23 -
A Style of Her Own
by Louise Dahl-Wolfe
Euro 54 -
Liberty Theater
by Rosalind Fox Solomon
sold out -
Men Photographing Women in the 70s
by Michael Abramson
Euro 14 -
Domesticated Land
by Susan Lipper
Euro 44
more books tagged »American« | >> see all
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Past K-Ville (signed - last copy)
by Mark Steinmetz
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Looking up Ben James. A fable
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Along Some Rivers - Photographs and Conversations
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by Robert Adams
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Waldungen (German edition)
by Bernhard Fuchs
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by Larissa Cox
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Das Bild vom Wald - Erfolgsmodell mit rauer Schale
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Cry of an Echo (signed)
by Malgorzata Stankiewicz
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by Bernhard Fuchs
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troubled waters (signed)
by Andreas H. Bitesnich
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Opening the Sky
by Larry Fink
Euro 95 -
Orion Collector's edition (signed - book + print)
by Christopher De Béthune
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Chizu (Maquette Edition - signed)
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by M.H. Frøslev
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more books tagged »black and white« | >> see all
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SOHO
by Anders Petersen
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Jan Lauschmann
by Jan Lauschmann
Euro 165 -
Under the Skin of Reality
by Mario Giacomelli
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by Martin Parr
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Random selection from the Virtual bookshelf josefchladek.com