Showcaller
by Talia Chetrit
Photographs: Talia Chetrit
Publisher: MACK BOOKS
Year: January 2019
Showcaller is the first book exploring the work of emerging artist Talia Chetrit. It brings together a broad range of her work made between 1994 and 2018 and is linked to a retrospective museum exhibition at the Kölnischer Kunstverein in early 2018. The title Showcaller is a theatrical term which references the performative aspects of Chetrit’s work, the power dynamic between subject and photographer, and, ultimately, between the photographer and her audience.
The earliest works included were made when Chetrit was a teenager and she adroitly collapses and shuffles images from across 24 years and neutralizes the space between family portraits, teenage friends, intimate sex pictures, self-portraits, staged murder pictures, still-lives, and street photographs, to name just a few of the subjects and genres her work adopts. Regardless of the subject matter or the technique with which the image is made, her focus lies on researching and unveiling the basic social, conceptual, and technical conditions of the genre of photography. Her work is imbued with a desire to control the physical and historical limitations of the camera, to trace its manipulative potential, and to question the relationship between photographer and subject.
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Showcaller
by Talia Chetrit
Photographs: Talia Chetrit
Publisher: MACK BOOKS
Year: January 2019
Showcaller is the first book exploring the work of emerging artist Talia Chetrit. It brings together a broad range of her work made between 1994 and 2018 and is linked to a retrospective museum exhibition at the Kölnischer Kunstverein in early 2018. The title Showcaller is a theatrical term which references the performative aspects of Chetrit’s work, the power dynamic between subject and photographer, and, ultimately, between the photographer and her audience.
The earliest works included were made when Chetrit was a teenager and she adroitly collapses and shuffles images from across 24 years and neutralizes the space between family portraits, teenage friends, intimate sex pictures, self-portraits, staged murder pictures, still-lives, and street photographs, to name just a few of the subjects and genres her work adopts. Regardless of the subject matter or the technique with which the image is made, her focus lies on researching and unveiling the basic social, conceptual, and technical conditions of the genre of photography. Her work is imbued with a desire to control the physical and historical limitations of the camera, to trace its manipulative potential, and to question the relationship between photographer and subject.
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Summer of the Fawn
by Alain Laboile
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Momentum (signed)
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Gypsies and Travellers 1970s
by Jo Spence
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by Archivo Manuel Álvarez Bravo
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Summer of the Fawn (last copy of book + signed print)
by Alain Laboile
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by Martin Parr
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by Martin Parr
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by Boris Mikhailov
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by Sonia Lenzi
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by Andreas H. Bitesnich
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by Andreas H. Bitesnich
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Showcaller
by Talia Chetrit
Photographs: Talia Chetrit
Publisher: MACK BOOKS
Year: January 2019
Showcaller is the first book exploring the work of emerging artist Talia Chetrit. It brings together a broad range of her work made between 1994 and 2018 and is linked to a retrospective museum exhibition at the Kölnischer Kunstverein in early 2018. The title Showcaller is a theatrical term which references the performative aspects of Chetrit’s work, the power dynamic between subject and photographer, and, ultimately, between the photographer and her audience.
The earliest works included were made when Chetrit was a teenager and she adroitly collapses and shuffles images from across 24 years and neutralizes the space between family portraits, teenage friends, intimate sex pictures, self-portraits, staged murder pictures, still-lives, and street photographs, to name just a few of the subjects and genres her work adopts. Regardless of the subject matter or the technique with which the image is made, her focus lies on researching and unveiling the basic social, conceptual, and technical conditions of the genre of photography. Her work is imbued with a desire to control the physical and historical limitations of the camera, to trace its manipulative potential, and to question the relationship between photographer and subject.
more books tagged »portrait« | >> see all
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Summer of the Fawn
by Alain Laboile
Euro 33 -
Momentum (signed)
by Andreas H. Bitesnich
Euro 250 -
Finché Tornerai Terra (signed)
by Valentino Barachini
Euro 129 -
Gypsies and Travellers 1970s
by Jo Spence
Euro 25 -
Se buscan. Retratos inéditos de Manuel Álvarez Bravo
by Archivo Manuel Álvarez Bravo
Euro 49 -
Summer of the Fawn (last copy of book + signed print)
by Alain Laboile
Euro 450
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One Picture Book #99: Face (book + print)
by Tomoko Sawada
Euro 89 62.30 -
Autoportrait 1996-2015 (signed)
by Martin Parr
Euro 27 -
autoportrait (signed - last copy)
by Martin Parr
sold out -
Autoportrait 1996-2015
by Martin Parr
Euro 23 -
One Picture Book 90: Self (signed + print)
by Daido Moriyama
sold out -
I Am Not I (signed - last copy)
by Boris Mikhailov
sold out
more books tagged »staged« | >> see all
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drawing meets photography (signed)
by Roger Ballen
Euro 44 -
drawing meets photography (book + print)
by Roger Ballen
Euro 330
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Deeper Shades #04 Vienna (signed - last copies)
by Andreas H. Bitesnich
sold out -
Marrakech
by Daido Moriyama
sold out -
Stags, Hens & Bunnies (signed)
by Dougie Wallace
sold out -
Looking for my Daughters (signed - used copy)
by Sonia Lenzi
Euro 49 39.20 -
DEEPER SHADES #01 NEW YORK (book + print)
by Andreas H. Bitesnich
Euro 470 -
DEEPER SHADES #02 TOKYO (signed)
by Andreas H. Bitesnich
Euro 70
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