The Perfect Man (review copy)
by Cristina de Middel
Photographs: Cristina de Middel
Publisher: La Fábrica
176 pages
Pictures: 158
Year: 2017
ISBN: 978-84-17048-39-6
Comments: Design: Javialcuadrado, 21 x 28 cm, Hardcover, Language: Spanish—English, the copy is slightly damaged at the bottom left corner
Cristina de Middel examines the peculiar understanding of masculinity in India.
The award-winning Spanish photographer Cristina de Middel presents her striking latest project, The Perfect Man. With Chaplin’s film Modern Times as a starting point for the book’s narrative structure, De Middel reflects on the peculiar understanding of masculinity in India, through the relationships between man, machine and work.
In India, industrial revolution never really started and never really ended, but western standards,which defined this new perfect working man, were imposed and accepted in a society that already had a very elitist cultural structure. The results were confusing.
De Middel tells the story of Doctor Ashok Aswani, who decided one day to go to the cinema instead of going to work. He saw a Chaplin movie four times, lost his job and started what would become the biggest festival homage to Chaplin in the world. Doctor Aswani would never be the perfect man because the perfect man works for his country’s greatness. The perfect man wakes up early to go to work and waves at his wife from the car as he heads towards the daily traffic-jam that would take him to his office. Charlot would never be the perfect man either.
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The Perfect Man (review copy)
by Cristina de Middel
Photographs: Cristina de Middel
Publisher: La Fábrica
176 pages
Pictures: 158
Year: 2017
ISBN: 978-84-17048-39-6
Comments: Design: Javialcuadrado, 21 x 28 cm, Hardcover, Language: Spanish—English, the copy is slightly damaged at the bottom left corner
Cristina de Middel examines the peculiar understanding of masculinity in India.
The award-winning Spanish photographer Cristina de Middel presents her striking latest project, The Perfect Man. With Chaplin’s film Modern Times as a starting point for the book’s narrative structure, De Middel reflects on the peculiar understanding of masculinity in India, through the relationships between man, machine and work.
In India, industrial revolution never really started and never really ended, but western standards,which defined this new perfect working man, were imposed and accepted in a society that already had a very elitist cultural structure. The results were confusing.
De Middel tells the story of Doctor Ashok Aswani, who decided one day to go to the cinema instead of going to work. He saw a Chaplin movie four times, lost his job and started what would become the biggest festival homage to Chaplin in the world. Doctor Aswani would never be the perfect man because the perfect man works for his country’s greatness. The perfect man wakes up early to go to work and waves at his wife from the car as he heads towards the daily traffic-jam that would take him to his office. Charlot would never be the perfect man either.
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Zine Collection N°12: Afronauts (signed+print)
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Sharkification (signed - last copy)
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The Perfect Man (review copy)
by Cristina de Middel
Photographs: Cristina de Middel
Publisher: La Fábrica
176 pages
Pictures: 158
Year: 2017
ISBN: 978-84-17048-39-6
Comments: Design: Javialcuadrado, 21 x 28 cm, Hardcover, Language: Spanish—English, the copy is slightly damaged at the bottom left corner
Cristina de Middel examines the peculiar understanding of masculinity in India.
The award-winning Spanish photographer Cristina de Middel presents her striking latest project, The Perfect Man. With Chaplin’s film Modern Times as a starting point for the book’s narrative structure, De Middel reflects on the peculiar understanding of masculinity in India, through the relationships between man, machine and work.
In India, industrial revolution never really started and never really ended, but western standards,which defined this new perfect working man, were imposed and accepted in a society that already had a very elitist cultural structure. The results were confusing.
De Middel tells the story of Doctor Ashok Aswani, who decided one day to go to the cinema instead of going to work. He saw a Chaplin movie four times, lost his job and started what would become the biggest festival homage to Chaplin in the world. Doctor Aswani would never be the perfect man because the perfect man works for his country’s greatness. The perfect man wakes up early to go to work and waves at his wife from the car as he heads towards the daily traffic-jam that would take him to his office. Charlot would never be the perfect man either.
More books by Cristina de Middel
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SPBH Book Club Vol III (signed - last copy)
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Vida y milagros de Paula P. (signed - last copy)
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Zine Collection N°12: Afronauts (signed+print)
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Party. Quotations from Chairman Mao TseTong (signed - last copy)
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Party. Quotations from Chairman Mao TseTong (signed)
by Cristina de Middel
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Jan Mayen (signed)
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THIS IS WHAT HATRED DID (signed - last copy)
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Muchismo (signed)
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Cucurrucucú (signed)
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THIS IS WHAT HATRED DID (review copy)
by Cristina de Middel
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The Afronauts (signed)
by Cristina de Middel
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The Afronauts
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Journey to the Center
by Cristina de Middel
Euro 63 -
The Afronauts (signed)
by Cristina de Middel
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Gypsies
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sold out -
Wales. Steel & Coal
by David Hurn
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Our daily bread
by Erich Hartmann
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by Inge Morath
Euro 22 -
ZZYZX (signed)
by Gregory Halpern
sold out -
The Real World
by Martin Parr & Rimaldas Viksraitis
sold out
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Discordia (signed - last copy)
by Moises Saman
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El porqué de las naranjas
by Ricardo Cases
Euro 75 -
Paloma al aire (first edition - last copy)
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by Laia Abril
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TRÁNSITO
by Andrés Medina
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