1973
by Keiichi Tahara
Photographs: Keiichi Tahara
Publisher: Super Labo
40 pages
Year: 2016
ISBN: 978-4-908512-01-8
Price: 44 €
Comments: Softcover, 28 x 21,6cm,
"Everything I perceived, saw and felt was utterly new. There was a quivering field of light, completely different from what I had become accustomed to in Japan. It was the July of 1971 when I finally settled down after the initial excitement of having arrived in Paris. I had regained the calmness to observe. The sky was a shade of teal, something connected to the pitch black of outer space. Arrows of light pierced the dry air, approaching stone buildings. Vicious waves of light. An entire universe I had never seen, much less felt, read about or imagined before. Particles of light jumped into my eyes. I was surprised to learn first hand that light is, in fact, made of particles. It felt as if I could grasp it in my hands. This was when my journey into the world of light started. A myriad of visual childhood memories suddenly made sense under the concept of light. I had discovered my place in the world. The narrative of 1973 started in the loft of a seven story building, no elevator, in the Parisian student district of Quartier Latin.: - Keiichi Tahara
The best medium to capture light is film. The best medium to express it is photo paper. Days and nights I spent roaming the streets of Paris and London with my camera. Later, when I held an exhibition in Tokyo, this is what the designer Shiro Kuramata wrote on his introduction: Keiichi Tahara releases the shutter twice. Once when he takes the photo, once when he develops the film.
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1973
by Keiichi Tahara
Photographs: Keiichi Tahara
Publisher: Super Labo
40 pages
Year: 2016
ISBN: 978-4-908512-01-8
Price: 44 €
Comments: Softcover, 28 x 21,6cm,
"Everything I perceived, saw and felt was utterly new. There was a quivering field of light, completely different from what I had become accustomed to in Japan. It was the July of 1971 when I finally settled down after the initial excitement of having arrived in Paris. I had regained the calmness to observe. The sky was a shade of teal, something connected to the pitch black of outer space. Arrows of light pierced the dry air, approaching stone buildings. Vicious waves of light. An entire universe I had never seen, much less felt, read about or imagined before. Particles of light jumped into my eyes. I was surprised to learn first hand that light is, in fact, made of particles. It felt as if I could grasp it in my hands. This was when my journey into the world of light started. A myriad of visual childhood memories suddenly made sense under the concept of light. I had discovered my place in the world. The narrative of 1973 started in the loft of a seven story building, no elevator, in the Parisian student district of Quartier Latin.: - Keiichi Tahara
The best medium to capture light is film. The best medium to express it is photo paper. Days and nights I spent roaming the streets of Paris and London with my camera. Later, when I held an exhibition in Tokyo, this is what the designer Shiro Kuramata wrote on his introduction: Keiichi Tahara releases the shutter twice. Once when he takes the photo, once when he develops the film.
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Random selection from the Virtual bookshelf josefchladek.com
1973
by Keiichi Tahara
Photographs: Keiichi Tahara
Publisher: Super Labo
40 pages
Year: 2016
ISBN: 978-4-908512-01-8
Price: 44 €
Comments: Softcover, 28 x 21,6cm,
"Everything I perceived, saw and felt was utterly new. There was a quivering field of light, completely different from what I had become accustomed to in Japan. It was the July of 1971 when I finally settled down after the initial excitement of having arrived in Paris. I had regained the calmness to observe. The sky was a shade of teal, something connected to the pitch black of outer space. Arrows of light pierced the dry air, approaching stone buildings. Vicious waves of light. An entire universe I had never seen, much less felt, read about or imagined before. Particles of light jumped into my eyes. I was surprised to learn first hand that light is, in fact, made of particles. It felt as if I could grasp it in my hands. This was when my journey into the world of light started. A myriad of visual childhood memories suddenly made sense under the concept of light. I had discovered my place in the world. The narrative of 1973 started in the loft of a seven story building, no elevator, in the Parisian student district of Quartier Latin.: - Keiichi Tahara
The best medium to capture light is film. The best medium to express it is photo paper. Days and nights I spent roaming the streets of Paris and London with my camera. Later, when I held an exhibition in Tokyo, this is what the designer Shiro Kuramata wrote on his introduction: Keiichi Tahara releases the shutter twice. Once when he takes the photo, once when he develops the film.
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-
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by David Levenson
Euro 25 -
When Spider Kisses Fly (signed)
by James Kriszyk
Euro 25 -
Valparaiso
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sold out -
Passeggiata napoletana (signed)
by Arturo Zavattini
Euro 36 -
Yemen Rihla (last copy)
by Fabio Tasca
sold out -
she dances on Jackson (signed - last two copies)
by Vanessa Winship
sold out
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-
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by Spencer Murphy
Euro 24 -
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by Charlie Phillips
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by David Granick
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Euro 49 39.20 -
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by Daniel Frost
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by Andreas H. Bitesnich
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by Gil Rigoulet
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by Nobuyoshi Araki
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by Christine de Grancy
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by Luis Bustamante
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by Michael Wolf
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Random selection from the Virtual bookshelf josefchladek.com
