Vandalism
by John Divola
Photographs: John Divola
Publisher: MACK
120 pages
Year: February 2018
ISBN: 978-1-912339-00-6
Comments: Embossed paper-bound hardback, 23.5 cm x 23.5 cm
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, Vandalism helped to establish Divola’s highly distinctive photographic language.
John Divola (b. 1949 in California, United States) earned a BA from California State University, Northridge (1971) and an MA from University of California, Los Angeles (1973). His images challenge the boundaries between fiction and reality, as well as the limitations of art to describe life. Vandalism (1974-1975) is one Divola’s earliest series, predating Zuma (1979), As Far as I Could Get (1997) and Dogs Chasing My Car in the Desert (2004).
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Vandalism
by John Divola
Photographs: John Divola
Publisher: MACK
120 pages
Year: February 2018
ISBN: 978-1-912339-00-6
Comments: Embossed paper-bound hardback, 23.5 cm x 23.5 cm
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, Vandalism helped to establish Divola’s highly distinctive photographic language.
John Divola (b. 1949 in California, United States) earned a BA from California State University, Northridge (1971) and an MA from University of California, Los Angeles (1973). His images challenge the boundaries between fiction and reality, as well as the limitations of art to describe life. Vandalism (1974-1975) is one Divola’s earliest series, predating Zuma (1979), As Far as I Could Get (1997) and Dogs Chasing My Car in the Desert (2004).
More books by John Divola
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One Picture Book 81: Supermarket (signed+print - last copy)
by John Divola
Euro 149 -
Terminus (signed)
by John Divola
Euro 44
more books tagged »black and white« | >> see all
-
Paris 88/89 (last copy)
by Daido Moriyama
sold out -
Summer of the Fawn
by Alain Laboile
Euro 40 -
As Terras do Fim do Mundo (signed - last copy)
by Jo Ractliffe
Euro 350 -
Early Work (signed poster - limited availability)
by Rene Groebli
Euro 150 -
Θέατρο του χρόνου (Theater of Time) - first Greek edition
by Josef Koudelka
Euro 88 -
California
by David Hurn
sold out
more books tagged »USA« | >> see all
-
Twilight
by Gregory Crewdson
sold out -
a shimmer of possibility (signed, pre-order)
by Paul Graham
sold out -
The Last Days of Shishmaref (signed)
by Dana Lixenberg
sold out -
The Drake Equation (signed)
by Paul Kranzler & Andrew Phelps
Euro 75 -
Alive
by Mario Testino
Euro 165 -
The Potemkin Village (signed)
by Gregor Sailer
sold out
more books tagged »Los Angeles« | >> see all
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June (last copy)
by Ren Hang
sold out -
Seventy-Two and One Half Miles Across Los Angeles
by Mark Ruwedel
Euro 44 -
Message from the Exterior
by Mark Ruwedel
Euro 55 -
Nature of Los Angeles 2008-2013
by Bruce Davidson
sold out -
The Western Edge
by Mark Ruwedel
Euro 55 -
One Picture Book #97: Las Trocas Angelinas, con sus Mercancía...
by Javier Carrillo
Euro 45
Random selection from the Virtual bookshelf josefchladek.com
Vandalism
by John Divola
Photographs: John Divola
Publisher: MACK
120 pages
Year: February 2018
ISBN: 978-1-912339-00-6
Comments: Embossed paper-bound hardback, 23.5 cm x 23.5 cm
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, Vandalism helped to establish Divola’s highly distinctive photographic language.
John Divola (b. 1949 in California, United States) earned a BA from California State University, Northridge (1971) and an MA from University of California, Los Angeles (1973). His images challenge the boundaries between fiction and reality, as well as the limitations of art to describe life. Vandalism (1974-1975) is one Divola’s earliest series, predating Zuma (1979), As Far as I Could Get (1997) and Dogs Chasing My Car in the Desert (2004).
More books by John Divola
-
One Picture Book 81: Supermarket (signed+print - last copy)
by John Divola
Euro 149 -
Terminus (signed)
by John Divola
Euro 44
more books tagged »black and white« | >> see all
-
Paris 88/89 (last copy)
by Daido Moriyama
sold out -
Summer of the Fawn
by Alain Laboile
Euro 40 -
As Terras do Fim do Mundo (signed - last copy)
by Jo Ractliffe
Euro 350 -
Early Work (signed poster - limited availability)
by Rene Groebli
Euro 150 -
Θέατρο του χρόνου (Theater of Time) - first Greek edition
by Josef Koudelka
Euro 88 -
California
by David Hurn
sold out
more books tagged »USA« | >> see all
-
Twilight
by Gregory Crewdson
sold out -
a shimmer of possibility (signed, pre-order)
by Paul Graham
sold out -
The Last Days of Shishmaref (signed)
by Dana Lixenberg
sold out -
The Drake Equation (signed)
by Paul Kranzler & Andrew Phelps
Euro 75 -
Alive
by Mario Testino
Euro 165 -
The Potemkin Village (signed)
by Gregor Sailer
sold out
more books tagged »Los Angeles« | >> see all
-
June (last copy)
by Ren Hang
sold out -
Seventy-Two and One Half Miles Across Los Angeles
by Mark Ruwedel
Euro 44 -
Message from the Exterior
by Mark Ruwedel
Euro 55 -
Nature of Los Angeles 2008-2013
by Bruce Davidson
sold out -
The Western Edge
by Mark Ruwedel
Euro 55 -
One Picture Book #97: Las Trocas Angelinas, con sus Mercancía...
by Javier Carrillo
Euro 45
Random selection from the Virtual bookshelf josefchladek.com
