blank pages of an iranian photo album
by Newsha Tavakolian
Photographs: Newsha Tavakolian
Text: Anahita Ghabaian, Newsha Tavakolian
Publisher: Kehrer Verlag
160 pages
Pictures: 90 color
Year: 2015
ISBN: 978-3-86828-563-5
Comments: cloth hardcover with slipcase
Renowned Iranian photographer Newsha Tavakolian mixes artistic creation and journalism, starting from the traditional Iranian family photo album to deftly chronicle middle class life by following Iranians from several generations with her camera. She does not shy away from the complexity, inaccessibility, and myriad contradictions that shape her homeland. She manages to capture the full picture of contemporary Iran.
Newsha Tavakolian (born 1981 in Tehran, Iran). A self-taught photographer, Newsha began working professionally in the Iranian press at the age of 16 at a women’s daily newspaper called Zan. At the age of 18, she was the youngest photographer to cover the 1999 student uprising, which was a turning point for the country’s blossoming reformist movement and for Newsha personally as a photojournalist; a year later she joined the New York based agency Polaris Images. In 2002 she started working internationally, covering the war in Iraq for several months. She has since covered regional conflicts and natural disasters and has made social documentaries in Iraq, Lebanon, Syria, Saudi Arabia, Pakistan, Yemen, and Kenia. Her work is published in international magazines and newspapers such as Time Magazine, Newsweek, Stern, Le Figaro, Colors, The New York Times, Der Spiegel, Le Monde, NRC Handelsblad and The New York Times Magazine. Her work has been exhibited internationally at such museums as the Los Angeles County Museum of Art, and Boston’s Museum of Fine Art as well as the Victoria & Albert Museum and the British Museum in London.
2014 Tavakolian was selected as the fifth laureate of the Carmignac Gestion Photojournalism Award. The Carmignac Foundation, France, launched the Photojournalism Award in 2009 with the aim of supporting and promoting investigative photojournalism in areas not in the spotlight yet at the heart of complex geostrategic issues with global repercussions and where human rights and freedom of speech are often violated.
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blank pages of an iranian photo album
by Newsha Tavakolian
Photographs: Newsha Tavakolian
Text: Anahita Ghabaian, Newsha Tavakolian
Publisher: Kehrer Verlag
160 pages
Pictures: 90 color
Year: 2015
ISBN: 978-3-86828-563-5
Comments: cloth hardcover with slipcase
Renowned Iranian photographer Newsha Tavakolian mixes artistic creation and journalism, starting from the traditional Iranian family photo album to deftly chronicle middle class life by following Iranians from several generations with her camera. She does not shy away from the complexity, inaccessibility, and myriad contradictions that shape her homeland. She manages to capture the full picture of contemporary Iran.
Newsha Tavakolian (born 1981 in Tehran, Iran). A self-taught photographer, Newsha began working professionally in the Iranian press at the age of 16 at a women’s daily newspaper called Zan. At the age of 18, she was the youngest photographer to cover the 1999 student uprising, which was a turning point for the country’s blossoming reformist movement and for Newsha personally as a photojournalist; a year later she joined the New York based agency Polaris Images. In 2002 she started working internationally, covering the war in Iraq for several months. She has since covered regional conflicts and natural disasters and has made social documentaries in Iraq, Lebanon, Syria, Saudi Arabia, Pakistan, Yemen, and Kenia. Her work is published in international magazines and newspapers such as Time Magazine, Newsweek, Stern, Le Figaro, Colors, The New York Times, Der Spiegel, Le Monde, NRC Handelsblad and The New York Times Magazine. Her work has been exhibited internationally at such museums as the Los Angeles County Museum of Art, and Boston’s Museum of Fine Art as well as the Victoria & Albert Museum and the British Museum in London.
2014 Tavakolian was selected as the fifth laureate of the Carmignac Gestion Photojournalism Award. The Carmignac Foundation, France, launched the Photojournalism Award in 2009 with the aim of supporting and promoting investigative photojournalism in areas not in the spotlight yet at the heart of complex geostrategic issues with global repercussions and where human rights and freedom of speech are often violated.
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by Cristina de Middel
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Magnum. A World of Photography
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Random selection from the Virtual bookshelf josefchladek.com
blank pages of an iranian photo album
by Newsha Tavakolian
Photographs: Newsha Tavakolian
Text: Anahita Ghabaian, Newsha Tavakolian
Publisher: Kehrer Verlag
160 pages
Pictures: 90 color
Year: 2015
ISBN: 978-3-86828-563-5
Comments: cloth hardcover with slipcase
Renowned Iranian photographer Newsha Tavakolian mixes artistic creation and journalism, starting from the traditional Iranian family photo album to deftly chronicle middle class life by following Iranians from several generations with her camera. She does not shy away from the complexity, inaccessibility, and myriad contradictions that shape her homeland. She manages to capture the full picture of contemporary Iran.
Newsha Tavakolian (born 1981 in Tehran, Iran). A self-taught photographer, Newsha began working professionally in the Iranian press at the age of 16 at a women’s daily newspaper called Zan. At the age of 18, she was the youngest photographer to cover the 1999 student uprising, which was a turning point for the country’s blossoming reformist movement and for Newsha personally as a photojournalist; a year later she joined the New York based agency Polaris Images. In 2002 she started working internationally, covering the war in Iraq for several months. She has since covered regional conflicts and natural disasters and has made social documentaries in Iraq, Lebanon, Syria, Saudi Arabia, Pakistan, Yemen, and Kenia. Her work is published in international magazines and newspapers such as Time Magazine, Newsweek, Stern, Le Figaro, Colors, The New York Times, Der Spiegel, Le Monde, NRC Handelsblad and The New York Times Magazine. Her work has been exhibited internationally at such museums as the Los Angeles County Museum of Art, and Boston’s Museum of Fine Art as well as the Victoria & Albert Museum and the British Museum in London.
2014 Tavakolian was selected as the fifth laureate of the Carmignac Gestion Photojournalism Award. The Carmignac Foundation, France, launched the Photojournalism Award in 2009 with the aim of supporting and promoting investigative photojournalism in areas not in the spotlight yet at the heart of complex geostrategic issues with global repercussions and where human rights and freedom of speech are often violated.
more books tagged »magnum photographer« | >> see all
-
Sharkification (book + print - last two copies)
by Cristina de Middel
Euro 375 -
Magnum. A World of Photography
by various photographers
Euro 38 -
Jeddah Diary
by Olivia Arthur
sold out -
HONG KONG PARR (signed - last copy)
by Martin Parr
sold out -
Die Mauer ist weg! (signed)
by Mark Power
sold out -
Minutes to Midnight (second edition - last copy)
by Trent Parke
sold out
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Daughters of the Sun 2018 (signed)
by Claire Felicie
sold out -
The Revolution Of Iran '79
by Maryam Zandi
sold out -
Sequence (signed)
by Sissi Farassat
Euro 25 -
Sequence (special edition - signed)
by Sissi Farassat
sold out -
Forever
by Sissi Farassat
Euro 20 -
Zine Collection N°13: Afghanistan (signed+print)
by Majid Saeedi
Euro 75
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Petros Village
by Guy Tillim
Euro 132 -
KARCZEBY
by Adam Panczuk
sold out -
Ukraine (signed)
by Reiner Riedler
Euro 20 -
THIS IS WHAT HATRED DID (review copy)
by Cristina de Middel
sold out -
Tundra Kids
by Ikuru Kuwajima
Euro 29 -
Grimaces of the Weary Villages (signed)
by Rimaldas Viksraitis
sold out
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'68 Altrove (signed)
by Fausto Giaccone
Euro 35 -
DEADLINE (newspaper - signed)
by Will Steacy
Euro 27 -
Moments in Between
by Jens Olof Lasthein
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Holy Bible (first edition - last copy)
by Adam Broomberg & Oliver Chanarin
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Random selection from the Virtual bookshelf josefchladek.com