Ferdinand Schmutzer
by Regina Maria Anzenberger and Uwe Schögl (editors)
Photographs: Ferdinand Schmutzer
Text: Anna Hanreich, Uwe Schögl, Regina Maria Anzenberger
Publisher: Moser Verlag München
228 pages
Pictures: 100
Year: 2008
ISBN: 978-3-9812344-1-1
Price: 81.30 €
Comments: hardcover
Besides his extensive collection of prints, Ferdinand Schmutzer left an imposing photographic oeuvre comprising more than 3,000 glass plate negatives and 330 vintage prints. First presented to the public in 2001, his photographic works is now the subject of a critical edition, where it is placed in its context in the history of photography. Ferdinand Schmutzer’s visual language is the result of a variety of motivations: his portrait photographs often served as studies and masters for his representative etched portraits of famous people, including Albert Einstein, Sigmund Freud, Pablo Casals, and Arthur Schnitzler. His photographs of landscapes, places visited on his travels, and his family were taken for private purposes. The fact that Schmutzer was Vienna’s leading producer of etched portraits and the criticism some artists faced for using photography contributed to this part of his oeuvre’s remaining unknown until many years after his death. The exhibition, held in memory of the 80th anniversary of his death, has been organized in cooperation with the image archive at the Austrian National Library, which holds all negatives from Schmutzer’s estate.
> see also Ferdinand Schmutzer's fine art prints
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Ferdinand Schmutzer
by Regina Maria Anzenberger and Uwe Schögl (editors)
Photographs: Ferdinand Schmutzer
Text: Anna Hanreich, Uwe Schögl, Regina Maria Anzenberger
Publisher: Moser Verlag München
228 pages
Pictures: 100
Year: 2008
ISBN: 978-3-9812344-1-1
Price: 81.30 €
Comments: hardcover
Besides his extensive collection of prints, Ferdinand Schmutzer left an imposing photographic oeuvre comprising more than 3,000 glass plate negatives and 330 vintage prints. First presented to the public in 2001, his photographic works is now the subject of a critical edition, where it is placed in its context in the history of photography. Ferdinand Schmutzer’s visual language is the result of a variety of motivations: his portrait photographs often served as studies and masters for his representative etched portraits of famous people, including Albert Einstein, Sigmund Freud, Pablo Casals, and Arthur Schnitzler. His photographs of landscapes, places visited on his travels, and his family were taken for private purposes. The fact that Schmutzer was Vienna’s leading producer of etched portraits and the criticism some artists faced for using photography contributed to this part of his oeuvre’s remaining unknown until many years after his death. The exhibition, held in memory of the 80th anniversary of his death, has been organized in cooperation with the image archive at the Austrian National Library, which holds all negatives from Schmutzer’s estate.
> see also Ferdinand Schmutzer's fine art prints
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Ferdinand Schmutzer
by Regina Maria Anzenberger and Uwe Schögl (editors)
Photographs: Ferdinand Schmutzer
Text: Anna Hanreich, Uwe Schögl, Regina Maria Anzenberger
Publisher: Moser Verlag München
228 pages
Pictures: 100
Year: 2008
ISBN: 978-3-9812344-1-1
Price: 81.30 €
Comments: hardcover
Besides his extensive collection of prints, Ferdinand Schmutzer left an imposing photographic oeuvre comprising more than 3,000 glass plate negatives and 330 vintage prints. First presented to the public in 2001, his photographic works is now the subject of a critical edition, where it is placed in its context in the history of photography. Ferdinand Schmutzer’s visual language is the result of a variety of motivations: his portrait photographs often served as studies and masters for his representative etched portraits of famous people, including Albert Einstein, Sigmund Freud, Pablo Casals, and Arthur Schnitzler. His photographs of landscapes, places visited on his travels, and his family were taken for private purposes. The fact that Schmutzer was Vienna’s leading producer of etched portraits and the criticism some artists faced for using photography contributed to this part of his oeuvre’s remaining unknown until many years after his death. The exhibition, held in memory of the 80th anniversary of his death, has been organized in cooperation with the image archive at the Austrian National Library, which holds all negatives from Schmutzer’s estate.
> see also Ferdinand Schmutzer's fine art prints
more books tagged »landscape« | >> see all
-
ALP (first edition - last copy)
by Olaf Unverzart
sold out -
The Land Archive Vol. 6 (signed)
by Robert Zhao Renhui
sold out -
Sequester (second edition - signed)
by Awoiska Van Der Molen
sold out -
TRÁNSITO
by Andrés Medina
Euro 25 -
Less Than One (signed)
by Alexander Gronsky
sold out -
History of the Visit (signed)
by Daniel Reuter
Euro 45
more books tagged »archive« | >> see all
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Back to the Future
by Irina Werning
sold out -
Deadline (signed)
by Will Steacy
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by Andrea Botto
Euro 155 -
Until Death Do Us Part (first edition)
by Thomas Sauvin
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A Critic's Eye
by Richard Bartholomew
sold out -
Holy Bible (first edition, signed)
by Adam Broomberg & Oliver Chanarin
sold out
more books tagged »historical« | >> see all
-
Dream Machine
by Ruben Lundgren
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Lebenszeichen
by Christine de Grancy
Euro 29 -
DRY HOLE
by David Thomson
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Der Grazer Gehfotograf
by Mila Palm
sold out -
Miserachs Barcelona
by Xavier Miserachs
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Ferdinand Schmutzer - A Photographic Discovery (review copy)
by Regina Maria Anzenberger
Euro 75
more books tagged »Austria« | >> see all
-
Goosewalk (signed - last copies)
by Regina Anzenberger
Euro 65 -
Goosewalk - Collector's Edition I (book + print - last two cop...
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Goosewalk - Collector's Edition II (book + print)
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by Thomas Vanden Driessche
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Easter and Oak Trees (signed)
by Bertien van Manen
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Asylum of the Birds (signed)
by Roger Ballen
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DEEPER SHADES #04 Vienna (book + print)
by Andreas H. Bitesnich
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Shadows of Silence (signed - Greek edition - review copy)
by John Demos
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by Hana Jakrlova
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by Martin Parr
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by Javier Viver
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by Cristina de Middel
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Random selection from the Virtual bookshelf josefchladek.com
