Nearly equal
by Tetsuo Kashiwada
Photographs: Tetsuo Kashiwada
Publisher: self-published
Year: 2024
Comments: Self-published 99 copies
I am walking in nature with no radio waves and no one. I can't hear the voice, but gradually a dialogue is born naturally.Eventually, nature and I will become equals. I want to be part of nature. I want nature to be part of me.I felt that while walking in the forest where there was no one.I have been creating works on the theme of coexistence and division between nature and humans, and environmental issues.but this time, I want to create work with power of nature , which I cannot control , not from my own perspective.I thought that by doing so, I would be able to see a new relationship between people and nature.For development, I used forest river water and rainwater, and I also added stones, fallen leaves, branches, etc. collected from the forest along with the film.Once photo printed, it is returned to the forest and left unattended, and after it is damaged by rain and wind, it is re-photographed and revived in the work. The rain on the lens is used as it is for shooting. I tried various approaches while borrowing the power of nature.In order to face and get closer to nature, I did actions such as stacking stones and standing driftwood. In the time of the action, the time flows when I and nature intersect. This act is also co-creation.Combining two photographs in the work is a metaphor that connects me with nature.
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Nearly equal
by Tetsuo Kashiwada
Photographs: Tetsuo Kashiwada
Publisher: self-published
Year: 2024
Comments: Self-published 99 copies
I am walking in nature with no radio waves and no one. I can't hear the voice, but gradually a dialogue is born naturally.Eventually, nature and I will become equals. I want to be part of nature. I want nature to be part of me.I felt that while walking in the forest where there was no one.I have been creating works on the theme of coexistence and division between nature and humans, and environmental issues.but this time, I want to create work with power of nature , which I cannot control , not from my own perspective.I thought that by doing so, I would be able to see a new relationship between people and nature.For development, I used forest river water and rainwater, and I also added stones, fallen leaves, branches, etc. collected from the forest along with the film.Once photo printed, it is returned to the forest and left unattended, and after it is damaged by rain and wind, it is re-photographed and revived in the work. The rain on the lens is used as it is for shooting. I tried various approaches while borrowing the power of nature.In order to face and get closer to nature, I did actions such as stacking stones and standing driftwood. In the time of the action, the time flows when I and nature intersect. This act is also co-creation.Combining two photographs in the work is a metaphor that connects me with nature.
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Nearly equal
by Tetsuo Kashiwada
Photographs: Tetsuo Kashiwada
Publisher: self-published
Year: 2024
Comments: Self-published 99 copies
I am walking in nature with no radio waves and no one. I can't hear the voice, but gradually a dialogue is born naturally.Eventually, nature and I will become equals. I want to be part of nature. I want nature to be part of me.I felt that while walking in the forest where there was no one.I have been creating works on the theme of coexistence and division between nature and humans, and environmental issues.but this time, I want to create work with power of nature , which I cannot control , not from my own perspective.I thought that by doing so, I would be able to see a new relationship between people and nature.For development, I used forest river water and rainwater, and I also added stones, fallen leaves, branches, etc. collected from the forest along with the film.Once photo printed, it is returned to the forest and left unattended, and after it is damaged by rain and wind, it is re-photographed and revived in the work. The rain on the lens is used as it is for shooting. I tried various approaches while borrowing the power of nature.In order to face and get closer to nature, I did actions such as stacking stones and standing driftwood. In the time of the action, the time flows when I and nature intersect. This act is also co-creation.Combining two photographs in the work is a metaphor that connects me with nature.
more books tagged »Japanese« | >> see all
-
Spiritus (signed)
by Takashi Sugimoto
Euro 33 -
Painting (signed)
by Toshio Shibata
Euro 65 -
Intimacy of Paradise
by Tomoko Kawai
Euro 34 -
Nagi (signed)
by Yoshikatsu Fujii
sold out -
USSR 1991 (signed - last copy)
by Keizo Kitajima
Euro 195 -
As it is
by Rinko Kawauchi
sold out
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-
Japanische Impressionen
by Eberhard Grames
sold out -
Skin of the Nation
by Shomei Tomatsu
Euro 165 -
Kami
by Hitoshi Fugo
Euro 60.50 -
Wild Children
by Osamu Yokonami
Euro 38.50 -
Small Town
by Osamu Yokonami
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Beyond What You See
by Toshiya Watanabe
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From the Missouri West
by Robert Adams
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Wool, Wind and Waves: Faroe Islands (signed first edition - la...
by Eva Chupikova
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by Gerhard Trumler
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The Australian Journey (collector's edition - book + print)
by Regina Anzenberger
Euro 350 -
Song of Silent Water
by Mathieu Chaze
Euro 55 -
The Australian Journey (signed)
by Regina Anzenberger
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Two Rivers (last copy)
by Carolyn Drake
sold out -
Topography of Quiet
by Bastienne Schmidt
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What Remains in the End (signed)
by Zsolt Balazs
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Water Matters (signed - last copy)
by Julia Baier
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Wata Na Life (signed)
by Ngadi Smart
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Oceanomania (last copy)
by Mark Dion
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gaze – to look steadily and intently with great curiosity and ...
by Saskia Overzee & Amanda Butterworth
Euro 65 -
On listening to trees (English version)
by Albarran Cabrera
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