look inside

Lorsque le vent viendra

by Gilbert Garcin

Photographs: Gilbert Garcin

Publisher: Filigrane Èdiions

72 pages

Pictures: 61

Year: November 2013

ISBN: 978-2-35046-295-0

Comments: Hardcover, 24 cm x 30 cm

The work of Gilbert Garcin is a comedy to various hundred acts as said La Fontaine fables, but a moral support. Images in which he depicts are not self-portraits, or chapters of a rewarding imaginary biography. Instead, each photograph is autonomous figure perfectly clear action in its progress and its purpose, and that smile of his protagonist‘s misadventures. This means that all these images are marked with humor. This is all the more effective – we know that humor likes the implicit – that the climate of these images is always in-between, between humor and pathos, between fun and fear, between strange and absurd . This ambivalence that multiple photographs of Gilbert Garcin always intimately affect their viewers as they always are in any way an echo their concerns, correspondences with their conception of life, suggestive situations of their desires and frustrations.

> see also Gilbert Garcin's fine art prints

More books by Gilbert Garcin

more books tagged »black and white« | >> see all

more books tagged »conceptual« | >> see all

more books tagged »Black/white« | >> see all

more books tagged »France« | >> see all

more books tagged »Surrealism« | >> see all

Random selection from the Virtual bookshelf josefchladek.com

look inside

Lorsque le vent viendra

by Gilbert Garcin

Photographs: Gilbert Garcin

Publisher: Filigrane Èdiions

72 pages

Pictures: 61

Year: November 2013

ISBN: 978-2-35046-295-0

Comments: Hardcover, 24 cm x 30 cm

The work of Gilbert Garcin is a comedy to various hundred acts as said La Fontaine fables, but a moral support. Images in which he depicts are not self-portraits, or chapters of a rewarding imaginary biography. Instead, each photograph is autonomous figure perfectly clear action in its progress and its purpose, and that smile of his protagonist‘s misadventures. This means that all these images are marked with humor. This is all the more effective – we know that humor likes the implicit – that the climate of these images is always in-between, between humor and pathos, between fun and fear, between strange and absurd . This ambivalence that multiple photographs of Gilbert Garcin always intimately affect their viewers as they always are in any way an echo their concerns, correspondences with their conception of life, suggestive situations of their desires and frustrations.

> see also Gilbert Garcin's fine art prints

More books by Gilbert Garcin