Proxemics (book + print)
by Renato D'Agostin
Photographs: Renato d'Agostin
Text: Luigi Cerantola
Publisher: The (M) Editions
112 pages
Pictures: 60
Year: 2016
Comments: Softcover in a cardboard, 30 x 23 cm. First edition, 2016. Black paper. Language: Italian, French, English, Japanese. Limited edition of 200 copies. Each volume includes one original gelatin silver print by Renato D’Agostin, signed and numbered.
In Proxemics, Renato D'Agostin stretches the horizon between real and unreal where enigmatic, timeless figures chase each other in a visual carousel. With aesthetics evoking those of a film noir, D'Agostin presents a balancing act between daily life moments de-contextualizing them and bringing them into new captivating shapes of light and meaning.
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Proxemics (book + print)
by Renato D'Agostin
Photographs: Renato d'Agostin
Text: Luigi Cerantola
Publisher: The (M) Editions
112 pages
Pictures: 60
Year: 2016
Comments: Softcover in a cardboard, 30 x 23 cm. First edition, 2016. Black paper. Language: Italian, French, English, Japanese. Limited edition of 200 copies. Each volume includes one original gelatin silver print by Renato D’Agostin, signed and numbered.
In Proxemics, Renato D'Agostin stretches the horizon between real and unreal where enigmatic, timeless figures chase each other in a visual carousel. With aesthetics evoking those of a film noir, D'Agostin presents a balancing act between daily life moments de-contextualizing them and bringing them into new captivating shapes of light and meaning.
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Proxemics (book + print)
by Renato D'Agostin
Photographs: Renato d'Agostin
Text: Luigi Cerantola
Publisher: The (M) Editions
112 pages
Pictures: 60
Year: 2016
Comments: Softcover in a cardboard, 30 x 23 cm. First edition, 2016. Black paper. Language: Italian, French, English, Japanese. Limited edition of 200 copies. Each volume includes one original gelatin silver print by Renato D’Agostin, signed and numbered.
In Proxemics, Renato D'Agostin stretches the horizon between real and unreal where enigmatic, timeless figures chase each other in a visual carousel. With aesthetics evoking those of a film noir, D'Agostin presents a balancing act between daily life moments de-contextualizing them and bringing them into new captivating shapes of light and meaning.
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