On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
Photographs: Keliy Anderson-Staley
Text: Geoffrey Batchen, Matthew Williams
Publisher: Waltz Books
144 pages
Pictures: 85 duotone plates
Year: 2014
ISBN: 978-1-939932-00-6
Comments: 28,5 x 36 cm, clothbound hardcover with tipped in image, english, first edition of 1000 copies
This stunning monograph of tintype portraits is culled from an archive of hundreds taken over the last decade by Keliy Anderson-Staley. The long exposure time needed to make a tintype requires that the sitter remain as still as possible to produce a sharp image. As a result, the subjects of these tintypes often display an intense and guileless expression that immediately connects their faces to those of 19th-Century portraits. Stripped of the modern default behavior of smiling in front of a camera, these images, with all the exquisite detail afforded by the wet plate process, suggest an important rethinking of what it means to photograph and be photographed.
Anderson-Staley mixes and pours the emulsion for each plate on site shortly before a portrait is made. The process of hand-coating each piece leaves behind traces of the maker that are as beautifully and deeply embedded in the final image as the perceived identity of the subject.
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On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
Photographs: Keliy Anderson-Staley
Text: Geoffrey Batchen, Matthew Williams
Publisher: Waltz Books
144 pages
Pictures: 85 duotone plates
Year: 2014
ISBN: 978-1-939932-00-6
Comments: 28,5 x 36 cm, clothbound hardcover with tipped in image, english, first edition of 1000 copies
This stunning monograph of tintype portraits is culled from an archive of hundreds taken over the last decade by Keliy Anderson-Staley. The long exposure time needed to make a tintype requires that the sitter remain as still as possible to produce a sharp image. As a result, the subjects of these tintypes often display an intense and guileless expression that immediately connects their faces to those of 19th-Century portraits. Stripped of the modern default behavior of smiling in front of a camera, these images, with all the exquisite detail afforded by the wet plate process, suggest an important rethinking of what it means to photograph and be photographed.
Anderson-Staley mixes and pours the emulsion for each plate on site shortly before a portrait is made. The process of hand-coating each piece leaves behind traces of the maker that are as beautifully and deeply embedded in the final image as the perceived identity of the subject.
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by Ivan Blazhev
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Random selection from the Virtual bookshelf josefchladek.com
On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
Photographs: Keliy Anderson-Staley
Text: Geoffrey Batchen, Matthew Williams
Publisher: Waltz Books
144 pages
Pictures: 85 duotone plates
Year: 2014
ISBN: 978-1-939932-00-6
Comments: 28,5 x 36 cm, clothbound hardcover with tipped in image, english, first edition of 1000 copies
This stunning monograph of tintype portraits is culled from an archive of hundreds taken over the last decade by Keliy Anderson-Staley. The long exposure time needed to make a tintype requires that the sitter remain as still as possible to produce a sharp image. As a result, the subjects of these tintypes often display an intense and guileless expression that immediately connects their faces to those of 19th-Century portraits. Stripped of the modern default behavior of smiling in front of a camera, these images, with all the exquisite detail afforded by the wet plate process, suggest an important rethinking of what it means to photograph and be photographed.
Anderson-Staley mixes and pours the emulsion for each plate on site shortly before a portrait is made. The process of hand-coating each piece leaves behind traces of the maker that are as beautifully and deeply embedded in the final image as the perceived identity of the subject.
more books tagged »black and white« | >> see all
-
Skopje with Eyes Wide Open
by Ivan Blazhev
sold out -
Vandalism
by John Divola
sold out -
Welcome to the Machines
by various photographers
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Das Auge der Liebe (2020, signed)
by Rene Groebli
Euro 165 -
Cry of an Echo (signed)
by Malgorzata Stankiewicz
Euro 38.50 -
MACONDO (book + 12 prints)
by Fausto Giaccone
Euro 1200
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The Theatre of Apparitions (signed)
by Roger Ballen
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The Big Picture
by Arthur Elgort
sold out -
Nothing (signed)
by John Gossage
sold out -
The Gender Frontier
by Mariette Pathy Allen
Euro 32 -
The Looking Game
by M.F.G. Paltrinieri & Mirko Smerdel
sold out -
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by Aaron Ruell
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