8 Women
by Collier Schorr
Photographs: Collier Schorr
Publisher: Mack Books
72 pages
Pictures: 34 colour plates
Year: 2014
ISBN: 9781907946424
Comments: 24 cm x 31 cm, hardcover with acetate dust jacket
Collier Schorr’s latest book 8 Women presents work which spans from the mid-nineties to the present. Schorr’s earliest works utilised appropriated adverts from fashion magazines to address issues of authorship and desire; the works introduced a female gaze into the debate about female representation. Appropriation was Schorr’s first medium and in some sense she returns to it, taking her own commissioned fashion images and folding them into a dialogue with other works.
The works in 8 Women propose a variety of subjects, all of whom are involved in performance, be it as artists, models or musicians. Schorr, who has been working in fashion for the last 10 years, created sets that doubled as her studio, teasing out images that could only be made with a subject that could travel between the object of desire and the enforcer of an identity crafted in that very moment. Working between out-takes and manipulations of tear sheets, Schorr questions who the women that desire to be looked at are, as well as what power exists in acknowledging that as a post-feminist position.
Mentioned by Lederman / Yatskevich / Lang in HOW WE SEE PHOTOBOOKS BY WOMEN
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8 Women
by Collier Schorr
Photographs: Collier Schorr
Publisher: Mack Books
72 pages
Pictures: 34 colour plates
Year: 2014
ISBN: 9781907946424
Comments: 24 cm x 31 cm, hardcover with acetate dust jacket
Collier Schorr’s latest book 8 Women presents work which spans from the mid-nineties to the present. Schorr’s earliest works utilised appropriated adverts from fashion magazines to address issues of authorship and desire; the works introduced a female gaze into the debate about female representation. Appropriation was Schorr’s first medium and in some sense she returns to it, taking her own commissioned fashion images and folding them into a dialogue with other works.
The works in 8 Women propose a variety of subjects, all of whom are involved in performance, be it as artists, models or musicians. Schorr, who has been working in fashion for the last 10 years, created sets that doubled as her studio, teasing out images that could only be made with a subject that could travel between the object of desire and the enforcer of an identity crafted in that very moment. Working between out-takes and manipulations of tear sheets, Schorr questions who the women that desire to be looked at are, as well as what power exists in acknowledging that as a post-feminist position.
Mentioned by Lederman / Yatskevich / Lang in HOW WE SEE PHOTOBOOKS BY WOMEN
More books by Collier Schorr
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by Collier Schorr
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Paul's Book
by Collier Schorr
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by Andreas H. Bitesnich
Euro 470 -
Grimaces of the Weary Villages (last copies)
by Rimaldas Viksraitis
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by Martin Parr
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On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
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by Lucy Helton
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We Make the Path by Walking (signed - last copy)
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by Torbjørn Rødland
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SchauLust. The Erotic Photography of Alfons Walde
by Alfons Walde
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by Roman Pyatkovka
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Random selection from the Virtual bookshelf josefchladek.com
8 Women
by Collier Schorr
Photographs: Collier Schorr
Publisher: Mack Books
72 pages
Pictures: 34 colour plates
Year: 2014
ISBN: 9781907946424
Comments: 24 cm x 31 cm, hardcover with acetate dust jacket
Collier Schorr’s latest book 8 Women presents work which spans from the mid-nineties to the present. Schorr’s earliest works utilised appropriated adverts from fashion magazines to address issues of authorship and desire; the works introduced a female gaze into the debate about female representation. Appropriation was Schorr’s first medium and in some sense she returns to it, taking her own commissioned fashion images and folding them into a dialogue with other works.
The works in 8 Women propose a variety of subjects, all of whom are involved in performance, be it as artists, models or musicians. Schorr, who has been working in fashion for the last 10 years, created sets that doubled as her studio, teasing out images that could only be made with a subject that could travel between the object of desire and the enforcer of an identity crafted in that very moment. Working between out-takes and manipulations of tear sheets, Schorr questions who the women that desire to be looked at are, as well as what power exists in acknowledging that as a post-feminist position.
Mentioned by Lederman / Yatskevich / Lang in HOW WE SEE PHOTOBOOKS BY WOMEN
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by Collier Schorr
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by Collier Schorr
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August (signed - last copy)
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The Last Hurrah
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Leise Wandlungen
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DEEPER SHADES #02 TOKYO (book + print)
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Grimaces of the Weary Villages (last copies)
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On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
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Two Rivers (last copy)
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American Color 2
by Constantine Manos
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Transmission (signed - last copy)
by Lucy Helton
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We Make the Path by Walking (signed - last copy)
by Paul Gaffney
sold out -
On Set
by Ernst Haas
Euro 59.70
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Visionaire No. 23: The Emperor's New Clothes
by Karl Lagerfeld
sold out -
Révélations. Iconographie de La Salpêtrière. Paris 1875-1918
by Javier Viver
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Vanilla Partners
by Torbjørn Rødland
sold out -
SchauLust. The Erotic Photography of Alfons Walde
by Alfons Walde
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Zine Collection N°5: Scheme (signed + print)
by Roman Pyatkovka
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Transparency is the new mystery (last copy)
by Mayumi Hosokura
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