Wool, Wind and Waves: Faroe Islands (signed)
by Eva Chupikova
Photographs: Eva Chupikova
Text: Eva Chupikova
Publisher: selfpublished
150 pages
Year: 2026
Price: 110 €
Comments: first edition of 200 copies. Size: 21 × 16,5 cm. Paper: FocusArt 200g, English, Swiss binding. Signed and numbered.
No trees grow here, leaving the shapes of the Faroe Islands utterly exposed. Neither the rugged coastline nor the suede-like grassy hills can shield you - from the wind, the rain, the snowstorm, or even from yourself.
There is something deeply honest in this bare fabric of the earth. Here, one cannot pretend, ignore, or look away. The often-held human conceit that we are the measure of all things quietly dissolves on the gusty cliffs, replaced by a humbling awareness of one’s own smallness. The elements grip the senses and limbs with such palpable force that there remains little room for vanity. Smugness and arrogance simply cannot take root in the sharp air and soil of this place.
It was this intimate, almost visceral feeling - this sense of the landscape not merely being observed, but actively seeping into my fingertips and yearning to be touched - that my camera sought to capture. My lens shifted from sweeping vistas to finer details: from the craggy faces of mountains to the canvases of ochre grass where the wind’s invisible hand playfully parts the soft fleece of grazing sheep. Through the viewfinder, I froze fleeting silver veins cascading across the land. I paused time to witness delicate laceworks of tumbling water descending into the ocean’s depths. I drank in the silhouettes of island formations shrouded in mist, and the endlessly varied patterns of volcanic contours shaped by millennia of relentless elements.
Through light and shadow, composition and focus, I aimed to convey the tangible essence of this land - its grit, its texture, and its raw beauty. For when these islands are truly allowed to permeate one’s being - whether experienced in person or, as I hope, through the compositions on these pages - they leave behind an indescribable sensation: a quiet, overwhelming urge to embrace this land.
This collection of photographs, taken throughout 2024 and 2025, is my attempt to translate that sensation into visual form. It is offered in the hope that, through my lens, you too might feel the elemental power, silent majesty, and unvarnished truth of the Faroe Islands.
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Wool, Wind and Waves: Faroe Islands (signed)
by Eva Chupikova
Photographs: Eva Chupikova
Text: Eva Chupikova
Publisher: selfpublished
150 pages
Year: 2026
Price: 110 €
Comments: first edition of 200 copies. Size: 21 × 16,5 cm. Paper: FocusArt 200g, English, Swiss binding. Signed and numbered.
No trees grow here, leaving the shapes of the Faroe Islands utterly exposed. Neither the rugged coastline nor the suede-like grassy hills can shield you - from the wind, the rain, the snowstorm, or even from yourself.
There is something deeply honest in this bare fabric of the earth. Here, one cannot pretend, ignore, or look away. The often-held human conceit that we are the measure of all things quietly dissolves on the gusty cliffs, replaced by a humbling awareness of one’s own smallness. The elements grip the senses and limbs with such palpable force that there remains little room for vanity. Smugness and arrogance simply cannot take root in the sharp air and soil of this place.
It was this intimate, almost visceral feeling - this sense of the landscape not merely being observed, but actively seeping into my fingertips and yearning to be touched - that my camera sought to capture. My lens shifted from sweeping vistas to finer details: from the craggy faces of mountains to the canvases of ochre grass where the wind’s invisible hand playfully parts the soft fleece of grazing sheep. Through the viewfinder, I froze fleeting silver veins cascading across the land. I paused time to witness delicate laceworks of tumbling water descending into the ocean’s depths. I drank in the silhouettes of island formations shrouded in mist, and the endlessly varied patterns of volcanic contours shaped by millennia of relentless elements.
Through light and shadow, composition and focus, I aimed to convey the tangible essence of this land - its grit, its texture, and its raw beauty. For when these islands are truly allowed to permeate one’s being - whether experienced in person or, as I hope, through the compositions on these pages - they leave behind an indescribable sensation: a quiet, overwhelming urge to embrace this land.
This collection of photographs, taken throughout 2024 and 2025, is my attempt to translate that sensation into visual form. It is offered in the hope that, through my lens, you too might feel the elemental power, silent majesty, and unvarnished truth of the Faroe Islands.
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Wool, Wind and Waves: Faroe Islands (signed)
by Eva Chupikova
Photographs: Eva Chupikova
Text: Eva Chupikova
Publisher: selfpublished
150 pages
Year: 2026
Price: 110 €
Comments: first edition of 200 copies. Size: 21 × 16,5 cm. Paper: FocusArt 200g, English, Swiss binding. Signed and numbered.
No trees grow here, leaving the shapes of the Faroe Islands utterly exposed. Neither the rugged coastline nor the suede-like grassy hills can shield you - from the wind, the rain, the snowstorm, or even from yourself.
There is something deeply honest in this bare fabric of the earth. Here, one cannot pretend, ignore, or look away. The often-held human conceit that we are the measure of all things quietly dissolves on the gusty cliffs, replaced by a humbling awareness of one’s own smallness. The elements grip the senses and limbs with such palpable force that there remains little room for vanity. Smugness and arrogance simply cannot take root in the sharp air and soil of this place.
It was this intimate, almost visceral feeling - this sense of the landscape not merely being observed, but actively seeping into my fingertips and yearning to be touched - that my camera sought to capture. My lens shifted from sweeping vistas to finer details: from the craggy faces of mountains to the canvases of ochre grass where the wind’s invisible hand playfully parts the soft fleece of grazing sheep. Through the viewfinder, I froze fleeting silver veins cascading across the land. I paused time to witness delicate laceworks of tumbling water descending into the ocean’s depths. I drank in the silhouettes of island formations shrouded in mist, and the endlessly varied patterns of volcanic contours shaped by millennia of relentless elements.
Through light and shadow, composition and focus, I aimed to convey the tangible essence of this land - its grit, its texture, and its raw beauty. For when these islands are truly allowed to permeate one’s being - whether experienced in person or, as I hope, through the compositions on these pages - they leave behind an indescribable sensation: a quiet, overwhelming urge to embrace this land.
This collection of photographs, taken throughout 2024 and 2025, is my attempt to translate that sensation into visual form. It is offered in the hope that, through my lens, you too might feel the elemental power, silent majesty, and unvarnished truth of the Faroe Islands.
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Perfect Places, Perfect Company
by Robert Adams
Euro 88 -
Walks (signed)
by Morten Eriksen
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Nearly equal (last copy)
by Tetsuo Kashiwada
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Unleashed
by Josef Hoflehner
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An Anticipation #3 (signed)
by Kazumasa Harada
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From the Missouri West
by Robert Adams
Euro 137.50
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Langs Vinden (signed)
by Krass Clement
Euro 770 -
Drenge
by Frederik Danielsen
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by Ireneusz Zjezdzalka
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Mystery of the Ordinary
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Antonín Kratochvíl
by Antonin Kratochvil
sold out -
Jan Lauschmann
by Jan Lauschmann
Euro 165 -
Village People 1965-1990 (collector's edition - book + 2 prints)
by Jindrich Streit
sold out -
Michaela Pospíšilová Králová catalogue
by Michaela Pospisilova Kralova
Euro 12 -
Incognito (signed)
by Antonin Kratochvil
Euro 220 -
Pulicar (book + print)
by Jaroslav Pulicar
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The Yellow River
by Zhang Kechun
sold out -
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by Takashi Homma
sold out -
A Certain Nature, after Giverny
by Jean Gaumy
Euro 50.60 -
Des oiseaux (English version)
by Nathalie Baetens
Euro 44 -
The Australian Journey (signed)
by Regina Anzenberger
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Random selection from the Virtual bookshelf josefchladek.com
