Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
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Random selection from the Virtual bookshelf josefchladek.com
Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
more books tagged »Slovenian« | >> see all
-
In Vivo (signed)
by Klavdij Sluban
sold out -
ETC. Magazine N°02/2023
by various photographers
Euro 25 -
Timekeepers (signed)
by Matjaž Tančič
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We are dogs!
by Jaka Babnik
sold out -
Cirkus - Eclisse #3
by Joze Suhadolnik
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At the Border (last copy)
by Sputnik Photos
Euro 125
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Everglades (last copy)
by Jungjin Lee
sold out -
Replies. Thirteen Small Conversations. (signed)
by Andreas Trogisch
Euro 65 -
Infinito (signed)
by David Jiménez
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By the River of Kings
by Jacob Aue Sobol
Euro 88 -
Portraits (signed)
by Bruce Davidson
sold out -
Astres Noirs (last copy - first edition)
by Katrin Koenning, Sarker Protick
sold out
more books tagged »archive« | >> see all
-
Holy Bible (first edition - second printing - signed)
by Adam Broomberg & Oliver Chanarin
sold out -
The History of European Photography 1900- 1938
by various photographers
sold out -
The Canadians
by Roger Hargreaves, Jill Offenbeck and Stefanie Petrilliv
sold out -
Das Leben als Photographin
by Inge Morath
sold out -
Deadline (signed)
by Will Steacy
sold out -
Grosse Photographen unserer Zeit
by Inge Morath
sold out
Random selection from the Virtual bookshelf josefchladek.com
Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
more books tagged »Slovenian« | >> see all
-
In Vivo (signed)
by Klavdij Sluban
sold out -
ETC. Magazine N°02/2023
by various photographers
Euro 25 -
Timekeepers (signed)
by Matjaž Tančič
sold out -
We are dogs!
by Jaka Babnik
sold out -
Cirkus - Eclisse #3
by Joze Suhadolnik
sold out -
At the Border (last copy)
by Sputnik Photos
Euro 125
more books tagged »black and white« | >> see all
-
Everglades (last copy)
by Jungjin Lee
sold out -
Replies. Thirteen Small Conversations. (signed)
by Andreas Trogisch
Euro 65 -
Infinito (signed)
by David Jiménez
sold out -
By the River of Kings
by Jacob Aue Sobol
Euro 88 -
Portraits (signed)
by Bruce Davidson
sold out -
Astres Noirs (last copy - first edition)
by Katrin Koenning, Sarker Protick
sold out
more books tagged »archive« | >> see all
-
Holy Bible (first edition - second printing - signed)
by Adam Broomberg & Oliver Chanarin
sold out -
The History of European Photography 1900- 1938
by various photographers
sold out -
The Canadians
by Roger Hargreaves, Jill Offenbeck and Stefanie Petrilliv
sold out -
Das Leben als Photographin
by Inge Morath
sold out -
Deadline (signed)
by Will Steacy
sold out -
Grosse Photographen unserer Zeit
by Inge Morath
sold out
Random selection from the Virtual bookshelf josefchladek.com
