Houston
by Thomas Block Humery
Photographs: Thomas Block Humery
Publisher: Alberto Art Books
64 pages
Year: October 2023
ISBN: 979-10-415-2589-8
Price: 35 €
Comments: Traditional offset printing with stapled binding. 21 × 29.7 cm (8.2 × 11.7 in). Printed in the EU. Language: English
“Houston” is not like any other book. Through the unique approach of autobiography, it invites us to explore, or imagine, the lesser-known of the major American metropolises. Compared to Los Angeles, New York, Miami, or Chicago, this Texan city has nothing of the postcard-perfect image. It may even be the opposite with its sprawling neighborhoods, highways that divide, or dare I say, cleave it, and its downtown area sweltering in the summer heat. Nevertheless, it is here that Thomas Block Humery invites us to conceive the city beyond urban, socio-economic, or cultural considerations, emphasizing the intimate dimension as a dynamic of knowledge. He perceives the city primarily as a place of self-projection validated by love, ambition, self-fulfillment, aesthetic comfort, and other hard-to-quantify aspirations.
In this perspective, the city is closely tied to feelings and emotions. With this proposition, the author transcends human geography’s descriptions consisting of demographic curves, economic statistics, or labor participation rates, retaining only the individual perspective shaped by emotions, adaptation, sharing, potential connections, and ever-changing visions influenced by contingency, delicacy, and the fragility of experience. The urban space unfolds through the dynamics of encounters, acting as a catalyst and an accelerator. Houston becomes the stage for an interaction where understanding of space goes hand in hand with the deepening of relationships.
The author revisits this specific knowledge a decade after the experience, reflecting on entrenched habits and forged bonds. Houston serves as a backdrop where real scenes played out, a backdrop that has changed, transformed by the inherent and specific forces of American cities for which a decade is a significant fraction of time. The city and its visitor reunite like two lovers who struggle to communicate. They say that criminals often return to the scene of their crime. What about someone who revisits the scenes of a past story?
The project raises the question: can this be conveyed through images? The answer is ambiguous, with both yes and no, because images, despite their limitations, can convey presence and absence, dreams and reality, the past, and sometimes the precariousness of the present. Thomas Block Humery playfully turns the city of Houston into a labyrinth, fragmented, geometrically abstract, and perhaps even chimerical, as if trying to piece together one fragment of life with another.
The book is replete with poetry and depth, featuring a photographer who sees metaphors more than reality. The project evolves into autofiction, and the response it offers takes the form of an artwork, touching on long-distance relationships, advertisements diverted from a golden age, building facades that act as screens, the passage of time, memories of “Paris, Texas,” local flora, cameras, and blank negatives. The city becomes a utopia with returning memories and emerging futures.
The project holds a particular place today, as many of us are tempted to live “elsewhere,” where a new form of nomadism is emerging in changing lifestyles. The experience here reveals a phenomenon of fragmentation, where life is no longer a simple straight line but a succession of moments, where rooting oneself seems to occur in various corners of the globe, in a kind of atomization of destinies caught in a multitude of potentialities. Thomas Block Humery does not pass judgment on the moral of the story. He embraces hopes and failures, regarding them as the ferment of a life that he prefers to be more romantic than entirely controlled.
The description of “Houston” would not be complete without mentioning the author’s text, which is part of the project, a confessional text that contextualizes the image corpus and gradually immerses the reader into a secret sphere where everyone can find a piece of themselves.
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Random selection from the Virtual bookshelf josefchladek.com
Houston
by Thomas Block Humery
Photographs: Thomas Block Humery
Publisher: Alberto Art Books
64 pages
Year: October 2023
ISBN: 979-10-415-2589-8
Price: 35 €
Comments: Traditional offset printing with stapled binding. 21 × 29.7 cm (8.2 × 11.7 in). Printed in the EU. Language: English
“Houston” is not like any other book. Through the unique approach of autobiography, it invites us to explore, or imagine, the lesser-known of the major American metropolises. Compared to Los Angeles, New York, Miami, or Chicago, this Texan city has nothing of the postcard-perfect image. It may even be the opposite with its sprawling neighborhoods, highways that divide, or dare I say, cleave it, and its downtown area sweltering in the summer heat. Nevertheless, it is here that Thomas Block Humery invites us to conceive the city beyond urban, socio-economic, or cultural considerations, emphasizing the intimate dimension as a dynamic of knowledge. He perceives the city primarily as a place of self-projection validated by love, ambition, self-fulfillment, aesthetic comfort, and other hard-to-quantify aspirations.
In this perspective, the city is closely tied to feelings and emotions. With this proposition, the author transcends human geography’s descriptions consisting of demographic curves, economic statistics, or labor participation rates, retaining only the individual perspective shaped by emotions, adaptation, sharing, potential connections, and ever-changing visions influenced by contingency, delicacy, and the fragility of experience. The urban space unfolds through the dynamics of encounters, acting as a catalyst and an accelerator. Houston becomes the stage for an interaction where understanding of space goes hand in hand with the deepening of relationships.
The author revisits this specific knowledge a decade after the experience, reflecting on entrenched habits and forged bonds. Houston serves as a backdrop where real scenes played out, a backdrop that has changed, transformed by the inherent and specific forces of American cities for which a decade is a significant fraction of time. The city and its visitor reunite like two lovers who struggle to communicate. They say that criminals often return to the scene of their crime. What about someone who revisits the scenes of a past story?
The project raises the question: can this be conveyed through images? The answer is ambiguous, with both yes and no, because images, despite their limitations, can convey presence and absence, dreams and reality, the past, and sometimes the precariousness of the present. Thomas Block Humery playfully turns the city of Houston into a labyrinth, fragmented, geometrically abstract, and perhaps even chimerical, as if trying to piece together one fragment of life with another.
The book is replete with poetry and depth, featuring a photographer who sees metaphors more than reality. The project evolves into autofiction, and the response it offers takes the form of an artwork, touching on long-distance relationships, advertisements diverted from a golden age, building facades that act as screens, the passage of time, memories of “Paris, Texas,” local flora, cameras, and blank negatives. The city becomes a utopia with returning memories and emerging futures.
The project holds a particular place today, as many of us are tempted to live “elsewhere,” where a new form of nomadism is emerging in changing lifestyles. The experience here reveals a phenomenon of fragmentation, where life is no longer a simple straight line but a succession of moments, where rooting oneself seems to occur in various corners of the globe, in a kind of atomization of destinies caught in a multitude of potentialities. Thomas Block Humery does not pass judgment on the moral of the story. He embraces hopes and failures, regarding them as the ferment of a life that he prefers to be more romantic than entirely controlled.
The description of “Houston” would not be complete without mentioning the author’s text, which is part of the project, a confessional text that contextualizes the image corpus and gradually immerses the reader into a secret sphere where everyone can find a piece of themselves.
More books by Thomas Block Humery
more books tagged »visual poetry« | >> see all
-
Dame Gulizar and Other Love Stories
by Rebecca Topakian
Euro 68.50 -
Stains & Ashes (signed)
by Ola Rindal
Euro 44 -
INDSTILLINGER.KRASSCLEMENT.DK (signed)
by Krass Clement
Euro 350 -
Langs Vinden (signed)
by Krass Clement
Euro 770 -
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by Paul Cupido
Euro 250 -
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by Masao Yamamoto
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Champs d'amour
by Vincent Gouriou
Euro 65 -
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by Gil Rigoulet
Euro 255 -
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by Jacques Henri Lartigue
Euro 88 -
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by Charles Fréger
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by William Eggleston
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by Siri Kaur
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by Carmen Winant
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by Carolyn Drake, Andres Gonzalez
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Random selection from the Virtual bookshelf josefchladek.com
Houston
by Thomas Block Humery
Photographs: Thomas Block Humery
Publisher: Alberto Art Books
64 pages
Year: October 2023
ISBN: 979-10-415-2589-8
Price: 35 €
Comments: Traditional offset printing with stapled binding. 21 × 29.7 cm (8.2 × 11.7 in). Printed in the EU. Language: English
“Houston” is not like any other book. Through the unique approach of autobiography, it invites us to explore, or imagine, the lesser-known of the major American metropolises. Compared to Los Angeles, New York, Miami, or Chicago, this Texan city has nothing of the postcard-perfect image. It may even be the opposite with its sprawling neighborhoods, highways that divide, or dare I say, cleave it, and its downtown area sweltering in the summer heat. Nevertheless, it is here that Thomas Block Humery invites us to conceive the city beyond urban, socio-economic, or cultural considerations, emphasizing the intimate dimension as a dynamic of knowledge. He perceives the city primarily as a place of self-projection validated by love, ambition, self-fulfillment, aesthetic comfort, and other hard-to-quantify aspirations.
In this perspective, the city is closely tied to feelings and emotions. With this proposition, the author transcends human geography’s descriptions consisting of demographic curves, economic statistics, or labor participation rates, retaining only the individual perspective shaped by emotions, adaptation, sharing, potential connections, and ever-changing visions influenced by contingency, delicacy, and the fragility of experience. The urban space unfolds through the dynamics of encounters, acting as a catalyst and an accelerator. Houston becomes the stage for an interaction where understanding of space goes hand in hand with the deepening of relationships.
The author revisits this specific knowledge a decade after the experience, reflecting on entrenched habits and forged bonds. Houston serves as a backdrop where real scenes played out, a backdrop that has changed, transformed by the inherent and specific forces of American cities for which a decade is a significant fraction of time. The city and its visitor reunite like two lovers who struggle to communicate. They say that criminals often return to the scene of their crime. What about someone who revisits the scenes of a past story?
The project raises the question: can this be conveyed through images? The answer is ambiguous, with both yes and no, because images, despite their limitations, can convey presence and absence, dreams and reality, the past, and sometimes the precariousness of the present. Thomas Block Humery playfully turns the city of Houston into a labyrinth, fragmented, geometrically abstract, and perhaps even chimerical, as if trying to piece together one fragment of life with another.
The book is replete with poetry and depth, featuring a photographer who sees metaphors more than reality. The project evolves into autofiction, and the response it offers takes the form of an artwork, touching on long-distance relationships, advertisements diverted from a golden age, building facades that act as screens, the passage of time, memories of “Paris, Texas,” local flora, cameras, and blank negatives. The city becomes a utopia with returning memories and emerging futures.
The project holds a particular place today, as many of us are tempted to live “elsewhere,” where a new form of nomadism is emerging in changing lifestyles. The experience here reveals a phenomenon of fragmentation, where life is no longer a simple straight line but a succession of moments, where rooting oneself seems to occur in various corners of the globe, in a kind of atomization of destinies caught in a multitude of potentialities. Thomas Block Humery does not pass judgment on the moral of the story. He embraces hopes and failures, regarding them as the ferment of a life that he prefers to be more romantic than entirely controlled.
The description of “Houston” would not be complete without mentioning the author’s text, which is part of the project, a confessional text that contextualizes the image corpus and gradually immerses the reader into a secret sphere where everyone can find a piece of themselves.
More books by Thomas Block Humery
more books tagged »visual poetry« | >> see all
-
Dame Gulizar and Other Love Stories
by Rebecca Topakian
Euro 68.50 -
Stains & Ashes (signed)
by Ola Rindal
Euro 44 -
INDSTILLINGER.KRASSCLEMENT.DK (signed)
by Krass Clement
Euro 350 -
Langs Vinden (signed)
by Krass Clement
Euro 770 -
Drifting Stones (book + vinyl - signed - last copy)
by Paul Cupido
Euro 250 -
Small Things in Silence
by Masao Yamamoto
Euro 57
more books tagged »French« | >> see all
-
Champs d'amour
by Vincent Gouriou
Euro 65 -
Ménilmontant
by Thomas Boivin
Euro 45 -
Traces et Métamorphoses (last copy)
by Gil Rigoulet
Euro 255 -
Les Femmes
by Jacques Henri Lartigue
Euro 88 -
Mystery Street (signed)
by Vasantha Yogananthan
Euro 55 -
PARADE - LES ELEPHANTS PEINTS DE JAIPUR
by Charles Fréger
Euro 45
more books tagged »autobiography« | >> see all
-
Dublin (last copy)
by Krass Clement
sold out -
Self & Others - Portraits as Autobiography (review copy)
by Aline Smithson
Euro 55 44.00
more books tagged »USA« | >> see all
-
Ballet
by Alexey Brodovitch
Euro 209 -
King, Queen, Knave (signed - last copy)
by Gregory Halpern
Euro 165 -
Half a Chisel to the Earth
by Tommy Nease
Euro 84 -
A Pound of Pictures (signed)
by Alec Soth
sold out -
Mystery of the Ordinary
by William Eggleston
sold out -
This Kind of Face (signed)
by Siri Kaur
Euro 125
more books tagged »american« | >> see all
-
Notes on Fundamental Joy; seeking the elimination of opression...
by Carmen Winant
Euro 280 -
Advice for Young Artists (signed)
by Alec Soth
Euro 60.50 -
I’ll let you be in my dreams if I can be in yours (signed)
by Carolyn Drake, Andres Gonzalez
Euro 66 -
Los Alamos
by William Eggleston
Euro 450 -
28 Photographs (signed)
by Rolfe Horn
sold out -
Archive
by Sofia Coppola
Euro 72
Random selection from the Virtual bookshelf josefchladek.com