Houston
by Thomas Block Humery
Photographs: Thomas Block Humery
Publisher: Alberto Art Books
64 pages
Year: October 2023
ISBN: 979-10-415-2589-8
Price: 35 €
Comments: Traditional offset printing with stapled binding. 21 × 29.7 cm (8.2 × 11.7 in). Printed in the EU. Language: English
“Houston” is not like any other book. Through the unique approach of autobiography, it invites us to explore, or imagine, the lesser-known of the major American metropolises. Compared to Los Angeles, New York, Miami, or Chicago, this Texan city has nothing of the postcard-perfect image. It may even be the opposite with its sprawling neighborhoods, highways that divide, or dare I say, cleave it, and its downtown area sweltering in the summer heat. Nevertheless, it is here that Thomas Block Humery invites us to conceive the city beyond urban, socio-economic, or cultural considerations, emphasizing the intimate dimension as a dynamic of knowledge. He perceives the city primarily as a place of self-projection validated by love, ambition, self-fulfillment, aesthetic comfort, and other hard-to-quantify aspirations.
In this perspective, the city is closely tied to feelings and emotions. With this proposition, the author transcends human geography’s descriptions consisting of demographic curves, economic statistics, or labor participation rates, retaining only the individual perspective shaped by emotions, adaptation, sharing, potential connections, and ever-changing visions influenced by contingency, delicacy, and the fragility of experience. The urban space unfolds through the dynamics of encounters, acting as a catalyst and an accelerator. Houston becomes the stage for an interaction where understanding of space goes hand in hand with the deepening of relationships.
The author revisits this specific knowledge a decade after the experience, reflecting on entrenched habits and forged bonds. Houston serves as a backdrop where real scenes played out, a backdrop that has changed, transformed by the inherent and specific forces of American cities for which a decade is a significant fraction of time. The city and its visitor reunite like two lovers who struggle to communicate. They say that criminals often return to the scene of their crime. What about someone who revisits the scenes of a past story?
The project raises the question: can this be conveyed through images? The answer is ambiguous, with both yes and no, because images, despite their limitations, can convey presence and absence, dreams and reality, the past, and sometimes the precariousness of the present. Thomas Block Humery playfully turns the city of Houston into a labyrinth, fragmented, geometrically abstract, and perhaps even chimerical, as if trying to piece together one fragment of life with another.
The book is replete with poetry and depth, featuring a photographer who sees metaphors more than reality. The project evolves into autofiction, and the response it offers takes the form of an artwork, touching on long-distance relationships, advertisements diverted from a golden age, building facades that act as screens, the passage of time, memories of “Paris, Texas,” local flora, cameras, and blank negatives. The city becomes a utopia with returning memories and emerging futures.
The project holds a particular place today, as many of us are tempted to live “elsewhere,” where a new form of nomadism is emerging in changing lifestyles. The experience here reveals a phenomenon of fragmentation, where life is no longer a simple straight line but a succession of moments, where rooting oneself seems to occur in various corners of the globe, in a kind of atomization of destinies caught in a multitude of potentialities. Thomas Block Humery does not pass judgment on the moral of the story. He embraces hopes and failures, regarding them as the ferment of a life that he prefers to be more romantic than entirely controlled.
The description of “Houston” would not be complete without mentioning the author’s text, which is part of the project, a confessional text that contextualizes the image corpus and gradually immerses the reader into a secret sphere where everyone can find a piece of themselves.
More books by Thomas Block Humery
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Random selection from the Virtual bookshelf josefchladek.com
Houston
by Thomas Block Humery
Photographs: Thomas Block Humery
Publisher: Alberto Art Books
64 pages
Year: October 2023
ISBN: 979-10-415-2589-8
Price: 35 €
Comments: Traditional offset printing with stapled binding. 21 × 29.7 cm (8.2 × 11.7 in). Printed in the EU. Language: English
“Houston” is not like any other book. Through the unique approach of autobiography, it invites us to explore, or imagine, the lesser-known of the major American metropolises. Compared to Los Angeles, New York, Miami, or Chicago, this Texan city has nothing of the postcard-perfect image. It may even be the opposite with its sprawling neighborhoods, highways that divide, or dare I say, cleave it, and its downtown area sweltering in the summer heat. Nevertheless, it is here that Thomas Block Humery invites us to conceive the city beyond urban, socio-economic, or cultural considerations, emphasizing the intimate dimension as a dynamic of knowledge. He perceives the city primarily as a place of self-projection validated by love, ambition, self-fulfillment, aesthetic comfort, and other hard-to-quantify aspirations.
In this perspective, the city is closely tied to feelings and emotions. With this proposition, the author transcends human geography’s descriptions consisting of demographic curves, economic statistics, or labor participation rates, retaining only the individual perspective shaped by emotions, adaptation, sharing, potential connections, and ever-changing visions influenced by contingency, delicacy, and the fragility of experience. The urban space unfolds through the dynamics of encounters, acting as a catalyst and an accelerator. Houston becomes the stage for an interaction where understanding of space goes hand in hand with the deepening of relationships.
The author revisits this specific knowledge a decade after the experience, reflecting on entrenched habits and forged bonds. Houston serves as a backdrop where real scenes played out, a backdrop that has changed, transformed by the inherent and specific forces of American cities for which a decade is a significant fraction of time. The city and its visitor reunite like two lovers who struggle to communicate. They say that criminals often return to the scene of their crime. What about someone who revisits the scenes of a past story?
The project raises the question: can this be conveyed through images? The answer is ambiguous, with both yes and no, because images, despite their limitations, can convey presence and absence, dreams and reality, the past, and sometimes the precariousness of the present. Thomas Block Humery playfully turns the city of Houston into a labyrinth, fragmented, geometrically abstract, and perhaps even chimerical, as if trying to piece together one fragment of life with another.
The book is replete with poetry and depth, featuring a photographer who sees metaphors more than reality. The project evolves into autofiction, and the response it offers takes the form of an artwork, touching on long-distance relationships, advertisements diverted from a golden age, building facades that act as screens, the passage of time, memories of “Paris, Texas,” local flora, cameras, and blank negatives. The city becomes a utopia with returning memories and emerging futures.
The project holds a particular place today, as many of us are tempted to live “elsewhere,” where a new form of nomadism is emerging in changing lifestyles. The experience here reveals a phenomenon of fragmentation, where life is no longer a simple straight line but a succession of moments, where rooting oneself seems to occur in various corners of the globe, in a kind of atomization of destinies caught in a multitude of potentialities. Thomas Block Humery does not pass judgment on the moral of the story. He embraces hopes and failures, regarding them as the ferment of a life that he prefers to be more romantic than entirely controlled.
The description of “Houston” would not be complete without mentioning the author’s text, which is part of the project, a confessional text that contextualizes the image corpus and gradually immerses the reader into a secret sphere where everyone can find a piece of themselves.
More books by Thomas Block Humery
more books tagged »american« | >> see all
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Know Me for the First Time (signed)
by Siri Kaur
Euro 125 -
Archive
by Sofia Coppola
sold out -
Los Alamos
by William Eggleston
Euro 450 -
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by Rolfe Horn
sold out -
Advice for Young Artists (signed)
by Alec Soth
Euro 60.50 -
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by Robert Adams
Euro 137.50
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by Gil Rigoulet
Euro 255 -
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Euro 45 -
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by Brassai
Euro 125 -
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by Barbara Filips
Euro 55 -
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by Tommy Nease
Euro 84
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by Masao Yamamoto
Euro 57 -
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by Ola Rindal
Euro 44 -
Drifting Stones (signed - last copy)
by Paul Cupido
sold out -
Drifting Stones (book + vinyl - signed - last copy)
by Paul Cupido
Euro 250 -
INDSTILLINGER.KRASSCLEMENT.DK (signed)
by Krass Clement
Euro 350 -
These Earthly Shores (signed)
by Daphne Kotsiani
Euro 56
Random selection from the Virtual bookshelf josefchladek.com
Houston
by Thomas Block Humery
Photographs: Thomas Block Humery
Publisher: Alberto Art Books
64 pages
Year: October 2023
ISBN: 979-10-415-2589-8
Price: 35 €
Comments: Traditional offset printing with stapled binding. 21 × 29.7 cm (8.2 × 11.7 in). Printed in the EU. Language: English
“Houston” is not like any other book. Through the unique approach of autobiography, it invites us to explore, or imagine, the lesser-known of the major American metropolises. Compared to Los Angeles, New York, Miami, or Chicago, this Texan city has nothing of the postcard-perfect image. It may even be the opposite with its sprawling neighborhoods, highways that divide, or dare I say, cleave it, and its downtown area sweltering in the summer heat. Nevertheless, it is here that Thomas Block Humery invites us to conceive the city beyond urban, socio-economic, or cultural considerations, emphasizing the intimate dimension as a dynamic of knowledge. He perceives the city primarily as a place of self-projection validated by love, ambition, self-fulfillment, aesthetic comfort, and other hard-to-quantify aspirations.
In this perspective, the city is closely tied to feelings and emotions. With this proposition, the author transcends human geography’s descriptions consisting of demographic curves, economic statistics, or labor participation rates, retaining only the individual perspective shaped by emotions, adaptation, sharing, potential connections, and ever-changing visions influenced by contingency, delicacy, and the fragility of experience. The urban space unfolds through the dynamics of encounters, acting as a catalyst and an accelerator. Houston becomes the stage for an interaction where understanding of space goes hand in hand with the deepening of relationships.
The author revisits this specific knowledge a decade after the experience, reflecting on entrenched habits and forged bonds. Houston serves as a backdrop where real scenes played out, a backdrop that has changed, transformed by the inherent and specific forces of American cities for which a decade is a significant fraction of time. The city and its visitor reunite like two lovers who struggle to communicate. They say that criminals often return to the scene of their crime. What about someone who revisits the scenes of a past story?
The project raises the question: can this be conveyed through images? The answer is ambiguous, with both yes and no, because images, despite their limitations, can convey presence and absence, dreams and reality, the past, and sometimes the precariousness of the present. Thomas Block Humery playfully turns the city of Houston into a labyrinth, fragmented, geometrically abstract, and perhaps even chimerical, as if trying to piece together one fragment of life with another.
The book is replete with poetry and depth, featuring a photographer who sees metaphors more than reality. The project evolves into autofiction, and the response it offers takes the form of an artwork, touching on long-distance relationships, advertisements diverted from a golden age, building facades that act as screens, the passage of time, memories of “Paris, Texas,” local flora, cameras, and blank negatives. The city becomes a utopia with returning memories and emerging futures.
The project holds a particular place today, as many of us are tempted to live “elsewhere,” where a new form of nomadism is emerging in changing lifestyles. The experience here reveals a phenomenon of fragmentation, where life is no longer a simple straight line but a succession of moments, where rooting oneself seems to occur in various corners of the globe, in a kind of atomization of destinies caught in a multitude of potentialities. Thomas Block Humery does not pass judgment on the moral of the story. He embraces hopes and failures, regarding them as the ferment of a life that he prefers to be more romantic than entirely controlled.
The description of “Houston” would not be complete without mentioning the author’s text, which is part of the project, a confessional text that contextualizes the image corpus and gradually immerses the reader into a secret sphere where everyone can find a piece of themselves.
More books by Thomas Block Humery
more books tagged »american« | >> see all
-
Know Me for the First Time (signed)
by Siri Kaur
Euro 125 -
Archive
by Sofia Coppola
sold out -
Los Alamos
by William Eggleston
Euro 450 -
28 Photographs (signed)
by Rolfe Horn
sold out -
Advice for Young Artists (signed)
by Alec Soth
Euro 60.50 -
From the Missouri West
by Robert Adams
Euro 137.50
more books tagged »French« | >> see all
-
so it goes, so it goes, so it goes, so it goes
by Miho Kajioka
Euro 79.50 -
Traces et Métamorphoses (last copy)
by Gil Rigoulet
Euro 255 -
Ménilmontant
by Thomas Boivin
Euro 45 -
Paris by Night
by Brassai
Euro 125 -
I Close My Eyes, Then I Drift Away (book + print)
by Katrien de Blauwer
Euro 600 -
PARADE - LES ELEPHANTS PEINTS DE JAIPUR
by Charles Fréger
Euro 45
more books tagged »autobiography« | >> see all
-
Self & Others - Portraits as Autobiography (review copy)
by Aline Smithson
Euro 55 44.00 -
Dublin (last copy)
by Krass Clement
sold out
more books tagged »USA« | >> see all
-
Studio Notes - My Time with Cy (book + print)
by Rob McDonald
Euro 165 -
The Nicknames of Citizens
by John Gossage
Euro 49.50 -
This Kind of Face (signed)
by Siri Kaur
Euro 125 -
A Pound of Pictures (signed)
by Alec Soth
sold out -
Las Vegas - notes from a different planet (signed)
by Barbara Filips
Euro 55 -
Half a Chisel to the Earth
by Tommy Nease
Euro 84
more books tagged »visual poetry« | >> see all
-
Small Things in Silence
by Masao Yamamoto
Euro 57 -
Stains & Ashes (signed)
by Ola Rindal
Euro 44 -
Drifting Stones (signed - last copy)
by Paul Cupido
sold out -
Drifting Stones (book + vinyl - signed - last copy)
by Paul Cupido
Euro 250 -
INDSTILLINGER.KRASSCLEMENT.DK (signed)
by Krass Clement
Euro 350 -
These Earthly Shores (signed)
by Daphne Kotsiani
Euro 56
Random selection from the Virtual bookshelf josefchladek.com
