Mirror Image (book + signed print)
by Hannah Hughes
Photographs: Hannah Hughes
Publisher: Jane & Jeremy
66 pages
Comments: 145mm x 200mm. Foiled debossed front cover. Die-cut pages. With signed print. First edition of 200. Hand numbered
In Hannah Hughes’s Mirror Image series, she explores the relationship between image and sculpture, focusing on the potential of negative space, where value can be found on the sidelines.
As Elizabeth Fullerton writes, “the artist uses sculptural strategies to convey a sense of mass, volume and even physical sensation. The works begin life as the overlooked negative spaces cut from photographic images. Using her archive of cut-out negative spaces as props, Hughes creates new forms from their shadows by projecting light onto diverse backdrops. The negative form becomes a sort of double negative as the shadow is made material. Existing hierarchies of value are inverted, turning the marginalised lacunae or fragments around objects into positive forms that take centre stage.
…Within the liminal zone between photography and sculpture, Hughes has invented a language of her own with a distinctive vocabulary of glyphic forms, varied textures and subtle colours. She shows us the thrill of the unnoticed: fragments, gaps, edges and negative spaces become worthy subjects.”
Each book in this first edition of 200 includes a signed special edition print, and an introductory essay by Elizabeth Fullerton.
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Mirror Image (book + signed print)
by Hannah Hughes
Photographs: Hannah Hughes
Publisher: Jane & Jeremy
66 pages
Comments: 145mm x 200mm. Foiled debossed front cover. Die-cut pages. With signed print. First edition of 200. Hand numbered
In Hannah Hughes’s Mirror Image series, she explores the relationship between image and sculpture, focusing on the potential of negative space, where value can be found on the sidelines.
As Elizabeth Fullerton writes, “the artist uses sculptural strategies to convey a sense of mass, volume and even physical sensation. The works begin life as the overlooked negative spaces cut from photographic images. Using her archive of cut-out negative spaces as props, Hughes creates new forms from their shadows by projecting light onto diverse backdrops. The negative form becomes a sort of double negative as the shadow is made material. Existing hierarchies of value are inverted, turning the marginalised lacunae or fragments around objects into positive forms that take centre stage.
…Within the liminal zone between photography and sculpture, Hughes has invented a language of her own with a distinctive vocabulary of glyphic forms, varied textures and subtle colours. She shows us the thrill of the unnoticed: fragments, gaps, edges and negative spaces become worthy subjects.”
Each book in this first edition of 200 includes a signed special edition print, and an introductory essay by Elizabeth Fullerton.
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by Egon Straszer
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by Lorenzo Vitturi
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Mirror Image (book + signed print)
by Hannah Hughes
Photographs: Hannah Hughes
Publisher: Jane & Jeremy
66 pages
Comments: 145mm x 200mm. Foiled debossed front cover. Die-cut pages. With signed print. First edition of 200. Hand numbered
In Hannah Hughes’s Mirror Image series, she explores the relationship between image and sculpture, focusing on the potential of negative space, where value can be found on the sidelines.
As Elizabeth Fullerton writes, “the artist uses sculptural strategies to convey a sense of mass, volume and even physical sensation. The works begin life as the overlooked negative spaces cut from photographic images. Using her archive of cut-out negative spaces as props, Hughes creates new forms from their shadows by projecting light onto diverse backdrops. The negative form becomes a sort of double negative as the shadow is made material. Existing hierarchies of value are inverted, turning the marginalised lacunae or fragments around objects into positive forms that take centre stage.
…Within the liminal zone between photography and sculpture, Hughes has invented a language of her own with a distinctive vocabulary of glyphic forms, varied textures and subtle colours. She shows us the thrill of the unnoticed: fragments, gaps, edges and negative spaces become worthy subjects.”
Each book in this first edition of 200 includes a signed special edition print, and an introductory essay by Elizabeth Fullerton.
more books tagged »sculpture« | >> see all
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Lichtungen (review copy)
by Egon Straszer
Euro 32 19.20 -
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by Koo Seong Youn
Euro 12 -
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by Lorenzo Vitturi
Euro 280 -
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by Michael Nitsche
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Wandlungen - Ereignis Skulptur / Transfigurations - A Sculptur...
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Playa cero
by Alfredo Blasquez
Euro 48 -
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by Elfie Semotan
sold out -
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by Michael Wolf
Euro 75 -
Composite (book + signed print)
by Jan Kempenaers
sold out -
Beginnings - Początki
by Tomasz Wysocki
Euro 25 -
Once, Still & Forever
by Jessica Backhaus
Euro 48
more books tagged »stillife« | >> see all
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Nature Morte - Stillleben in der zeitgenössischen Kunst
by various photographers
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Needles (signed)
by Txema Yeste
Euro 53 -
DUST (signed)
by Klaus Pichler
Euro 48 -
Finding Homer
by Eva Tomei
Euro 25 -
The Rustle of Touch (book + 2 prints, signed)
by Ellen Korth
Euro 145 -
Wallpaper: The Shanghai Edition
by James H. Bollen
sold out
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Verdigris / Ambergris (signed)
by Paul Graham
Euro 104.50 -
Furze (last copy)
by Jack Whitefield
Euro 95 -
Troubled Land (signed)
by Paul Graham
Euro 65 -
But Still, It Turns
by Paul Graham
sold out -
Living Room (signed)
by Nick Waplington
Euro 99 -
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