Oasis - People Look Like Flowers At Last (signed)
by Karina Mendreczky & Katalin Kortmann-Jaray
Photographs: Karina Medreczky & Katalin Kortmann-Jaray
Publisher: Galerie Rudolf Leeb
Year: 2022
Price: 9.00 €
Comments: Comments: exhibition catalogue
In their works, Karina Mendreczky and Katalin Kortmann-Járay draw on objects and natural elements in a variety of ways, referencing collective and personal histories. With the installation "Oasis - People Look Like Flowers At Last" they create a fictional space - a kind of story that will be shown for the first time in September 2022 in an abandoned space, a former laboratory of the Semmelweiss Clinic, this year's venue of the 10th edition of Parallel Vienna. Composed of small sculptures, large concrete sculptures and gently floating prints, the scenes are reminiscent of a timeless walk-in landscape. Whether or not this is a piece of the past, whether we are on the scene of a future post-apocalypse revival, ultimately remains undecided. The hybrid creatures and objects, which often refer to folk tales and mythological motifs, are accompanied by female figures. These associate care and nurturing and appear as a life-sustaining force traditionally associated with women. The translucent human figures float on woven and delicately translucent printed surfaces or embrace sculptural elements. In this fairy tale, people - in this case women - have no saviors, or it could simply be nature coming to meet them. In an atmospheric symbiosis, objects and prints mutually project an image of life and transience onto each other, evoking a superficially unknown yet familiar memory.
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Oasis - People Look Like Flowers At Last (signed)
by Karina Mendreczky & Katalin Kortmann-Jaray
Photographs: Karina Medreczky & Katalin Kortmann-Jaray
Publisher: Galerie Rudolf Leeb
Year: 2022
Price: 9.00 €
Comments: Comments: exhibition catalogue
In their works, Karina Mendreczky and Katalin Kortmann-Járay draw on objects and natural elements in a variety of ways, referencing collective and personal histories. With the installation "Oasis - People Look Like Flowers At Last" they create a fictional space - a kind of story that will be shown for the first time in September 2022 in an abandoned space, a former laboratory of the Semmelweiss Clinic, this year's venue of the 10th edition of Parallel Vienna. Composed of small sculptures, large concrete sculptures and gently floating prints, the scenes are reminiscent of a timeless walk-in landscape. Whether or not this is a piece of the past, whether we are on the scene of a future post-apocalypse revival, ultimately remains undecided. The hybrid creatures and objects, which often refer to folk tales and mythological motifs, are accompanied by female figures. These associate care and nurturing and appear as a life-sustaining force traditionally associated with women. The translucent human figures float on woven and delicately translucent printed surfaces or embrace sculptural elements. In this fairy tale, people - in this case women - have no saviors, or it could simply be nature coming to meet them. In an atmospheric symbiosis, objects and prints mutually project an image of life and transience onto each other, evoking a superficially unknown yet familiar memory.
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Oasis - People Look Like Flowers At Last (signed)
by Karina Mendreczky & Katalin Kortmann-Jaray
Photographs: Karina Medreczky & Katalin Kortmann-Jaray
Publisher: Galerie Rudolf Leeb
Year: 2022
Price: 9.00 €
Comments: Comments: exhibition catalogue
In their works, Karina Mendreczky and Katalin Kortmann-Járay draw on objects and natural elements in a variety of ways, referencing collective and personal histories. With the installation "Oasis - People Look Like Flowers At Last" they create a fictional space - a kind of story that will be shown for the first time in September 2022 in an abandoned space, a former laboratory of the Semmelweiss Clinic, this year's venue of the 10th edition of Parallel Vienna. Composed of small sculptures, large concrete sculptures and gently floating prints, the scenes are reminiscent of a timeless walk-in landscape. Whether or not this is a piece of the past, whether we are on the scene of a future post-apocalypse revival, ultimately remains undecided. The hybrid creatures and objects, which often refer to folk tales and mythological motifs, are accompanied by female figures. These associate care and nurturing and appear as a life-sustaining force traditionally associated with women. The translucent human figures float on woven and delicately translucent printed surfaces or embrace sculptural elements. In this fairy tale, people - in this case women - have no saviors, or it could simply be nature coming to meet them. In an atmospheric symbiosis, objects and prints mutually project an image of life and transience onto each other, evoking a superficially unknown yet familiar memory.
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Book Building
by Dayanita Singh
Euro 28 -
Chambre d'(a)pesanteur
by Gabriela Morawetz
Euro 22 -
Welt Ausstellung der Photographie
by Welt Ausstellung der Photographie
Euro 35 -
An Old Forest Road
by Robert Adams
sold out -
Fifty Days At Iliam
by Cy Twombly
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WERKSCHAU III
by Valie Export
Euro 25
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