SLANT

by Aaron Schuman


Photographs: Aaron Schuman

Publisher: Mack Books

Year: 2019

ISBN: 978-1-912339-38-9

Comments: Silk-screen printed hardback, 26 x 22cm

sold out

If you opened the local newspaper in the small New England town of Amherst, Massachusetts, as Aaron Schuman did one day, you might find a section entitled ‘Police Reports’ – succinct and extraordinarily anticlimactic accounts of crimes, suspicious activities, events and non-events reported in the area during the previous week. In SLANT, Schuman interweaves a selection of these clippings published between 2014-2018, with quietly wry photographs he made within a thirty-mile radius of Amherst from 2016-18, in response to their unintentionally deadpan descriptions. What began as a genuinely affectionate, tongue-in-cheek take on the small towns where Schuman spent his childhood steadily came to reflect the disquieting rise of “fake news”, “alternative facts”, “post-truth” politics and paranoia in America following the 2016 election. Schuman’s subtly offbeat combination of images and words, however, was always inclined to create a foreboding sense of unease. In SLANT, the relationship that has been constructed between photography and text takes its inspiration from a poetic scheme called ‘slant rhyme’, notably espoused by the 19th-century poet Emily Dickinson, who also happened to live and write in Amherst. In such a rhyming scheme, “there is a close but not exact correspondence of sounds, often using assonance or consonance; generally it is used in poetry to give variations and an inharmonious feeling.” Appropriating this literary device, SLANT serves as a wider reflection upon something strange, surreal, dissonant and increasingly sinister stirring beneath the surface of the contemporary American landscape, experience, and psyche.


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SLANT

by Aaron Schuman


Photographs: Aaron Schuman

Publisher: Mack Books

Year: 2019

ISBN: 978-1-912339-38-9

Comments: Silk-screen printed hardback, 26 x 22cm

sold out

If you opened the local newspaper in the small New England town of Amherst, Massachusetts, as Aaron Schuman did one day, you might find a section entitled ‘Police Reports’ – succinct and extraordinarily anticlimactic accounts of crimes, suspicious activities, events and non-events reported in the area during the previous week. In SLANT, Schuman interweaves a selection of these clippings published between 2014-2018, with quietly wry photographs he made within a thirty-mile radius of Amherst from 2016-18, in response to their unintentionally deadpan descriptions. What began as a genuinely affectionate, tongue-in-cheek take on the small towns where Schuman spent his childhood steadily came to reflect the disquieting rise of “fake news”, “alternative facts”, “post-truth” politics and paranoia in America following the 2016 election. Schuman’s subtly offbeat combination of images and words, however, was always inclined to create a foreboding sense of unease. In SLANT, the relationship that has been constructed between photography and text takes its inspiration from a poetic scheme called ‘slant rhyme’, notably espoused by the 19th-century poet Emily Dickinson, who also happened to live and write in Amherst. In such a rhyming scheme, “there is a close but not exact correspondence of sounds, often using assonance or consonance; generally it is used in poetry to give variations and an inharmonious feeling.” Appropriating this literary device, SLANT serves as a wider reflection upon something strange, surreal, dissonant and increasingly sinister stirring beneath the surface of the contemporary American landscape, experience, and psyche.


more books tagged »American« | >> see all

Random selection from the Virtual bookshelf josefchladek.com

SLANT

by Aaron Schuman


Photographs: Aaron Schuman

Publisher: Mack Books

Year: 2019

ISBN: 978-1-912339-38-9

Comments: Silk-screen printed hardback, 26 x 22cm

sold out

If you opened the local newspaper in the small New England town of Amherst, Massachusetts, as Aaron Schuman did one day, you might find a section entitled ‘Police Reports’ – succinct and extraordinarily anticlimactic accounts of crimes, suspicious activities, events and non-events reported in the area during the previous week. In SLANT, Schuman interweaves a selection of these clippings published between 2014-2018, with quietly wry photographs he made within a thirty-mile radius of Amherst from 2016-18, in response to their unintentionally deadpan descriptions. What began as a genuinely affectionate, tongue-in-cheek take on the small towns where Schuman spent his childhood steadily came to reflect the disquieting rise of “fake news”, “alternative facts”, “post-truth” politics and paranoia in America following the 2016 election. Schuman’s subtly offbeat combination of images and words, however, was always inclined to create a foreboding sense of unease. In SLANT, the relationship that has been constructed between photography and text takes its inspiration from a poetic scheme called ‘slant rhyme’, notably espoused by the 19th-century poet Emily Dickinson, who also happened to live and write in Amherst. In such a rhyming scheme, “there is a close but not exact correspondence of sounds, often using assonance or consonance; generally it is used in poetry to give variations and an inharmonious feeling.” Appropriating this literary device, SLANT serves as a wider reflection upon something strange, surreal, dissonant and increasingly sinister stirring beneath the surface of the contemporary American landscape, experience, and psyche.


more books tagged »American« | >> see all

Random selection from the Virtual bookshelf josefchladek.com