Suite Vénitienne
by Sophie Calle
Photographs: Sophie Calle
Publisher: Siglio Press
96 pages
Year: 2015
ISBN: 9781938221095
Comments: Hardcover, 14 x 20cm, english, First edition
After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of 'Suite Vénitienne', her first artist's book and the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering of real life and the composition of self.
Mentioned by Lederman / Yatskevich / Lang in HOW WE SEE PHOTOBOOKS BY WOMEN
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Suite Vénitienne
by Sophie Calle
Photographs: Sophie Calle
Publisher: Siglio Press
96 pages
Year: 2015
ISBN: 9781938221095
Comments: Hardcover, 14 x 20cm, english, First edition
After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of 'Suite Vénitienne', her first artist's book and the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering of real life and the composition of self.
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Suite Vénitienne
by Sophie Calle
Photographs: Sophie Calle
Publisher: Siglio Press
96 pages
Year: 2015
ISBN: 9781938221095
Comments: Hardcover, 14 x 20cm, english, First edition
After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of 'Suite Vénitienne', her first artist's book and the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering of real life and the composition of self.
Mentioned by Lederman / Yatskevich / Lang in HOW WE SEE PHOTOBOOKS BY WOMEN
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