Easter and Oak Trees (signed)
by Bertien van Manen
Photographs: Bertien van Manen
Publisher: MACK
112 pages
Pictures: 25 tritone plates and 89 black & white plates
Year: 2013
ISBN: 978-1-90794646-2
Comments: 16.6 cm x 20 cm; clothbound hardcover with dustjacket
Bertien van Manen’s blissful images of family holidays in den Eikenhorst (literally meaning Nest of Oak Trees) from the 1970s are the subject of her latest publication, Easter and Oak Trees.
It was her son, one of the primary subjects in the series, who recently reminded van Manen of the archive. Lightness dominates these black and white images, and the obvious pleasure, family warmth and security of her children and family in the less politically correct ‘70s. Children pose, play and run but ultimately the photographs communicate the intimate comfort that comes with family, uninhibited in their expression and exposure to the camera. Easter and Oak Trees offers an enticing invitation to share a small part of this familial idyll.
The images raise the question, could a photographer still do this in 2013? Could she photograph her children naked, footloose and carefree, acting up to the camera with fake cigarettes and a bottle of beer? Or is this spontaneity, this innocence, lost thanks to rancid affairs and small-minded moralism?
Whilst this work is some of the earliest made by van Manen, it has all the qualities found in her mature work. “One recognizes the lyrical looseness, the sensuality and the melancholy but also a striving for balance and composition. Her photographs look like free, insouciant improvisations on themes, that later, in ‘a Hundred Summers a Hundred Winters’ or in ‘East Wind West Wind’ have taken shape in a more outspoken way”. Hripsimé Visser
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Easter and Oak Trees (signed)
by Bertien van Manen
Photographs: Bertien van Manen
Publisher: MACK
112 pages
Pictures: 25 tritone plates and 89 black & white plates
Year: 2013
ISBN: 978-1-90794646-2
Comments: 16.6 cm x 20 cm; clothbound hardcover with dustjacket
Bertien van Manen’s blissful images of family holidays in den Eikenhorst (literally meaning Nest of Oak Trees) from the 1970s are the subject of her latest publication, Easter and Oak Trees.
It was her son, one of the primary subjects in the series, who recently reminded van Manen of the archive. Lightness dominates these black and white images, and the obvious pleasure, family warmth and security of her children and family in the less politically correct ‘70s. Children pose, play and run but ultimately the photographs communicate the intimate comfort that comes with family, uninhibited in their expression and exposure to the camera. Easter and Oak Trees offers an enticing invitation to share a small part of this familial idyll.
The images raise the question, could a photographer still do this in 2013? Could she photograph her children naked, footloose and carefree, acting up to the camera with fake cigarettes and a bottle of beer? Or is this spontaneity, this innocence, lost thanks to rancid affairs and small-minded moralism?
Whilst this work is some of the earliest made by van Manen, it has all the qualities found in her mature work. “One recognizes the lyrical looseness, the sensuality and the melancholy but also a striving for balance and composition. Her photographs look like free, insouciant improvisations on themes, that later, in ‘a Hundred Summers a Hundred Winters’ or in ‘East Wind West Wind’ have taken shape in a more outspoken way”. Hripsimé Visser
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Easter and Oak Trees (signed)
by Bertien van Manen
Photographs: Bertien van Manen
Publisher: MACK
112 pages
Pictures: 25 tritone plates and 89 black & white plates
Year: 2013
ISBN: 978-1-90794646-2
Comments: 16.6 cm x 20 cm; clothbound hardcover with dustjacket
Bertien van Manen’s blissful images of family holidays in den Eikenhorst (literally meaning Nest of Oak Trees) from the 1970s are the subject of her latest publication, Easter and Oak Trees.
It was her son, one of the primary subjects in the series, who recently reminded van Manen of the archive. Lightness dominates these black and white images, and the obvious pleasure, family warmth and security of her children and family in the less politically correct ‘70s. Children pose, play and run but ultimately the photographs communicate the intimate comfort that comes with family, uninhibited in their expression and exposure to the camera. Easter and Oak Trees offers an enticing invitation to share a small part of this familial idyll.
The images raise the question, could a photographer still do this in 2013? Could she photograph her children naked, footloose and carefree, acting up to the camera with fake cigarettes and a bottle of beer? Or is this spontaneity, this innocence, lost thanks to rancid affairs and small-minded moralism?
Whilst this work is some of the earliest made by van Manen, it has all the qualities found in her mature work. “One recognizes the lyrical looseness, the sensuality and the melancholy but also a striving for balance and composition. Her photographs look like free, insouciant improvisations on themes, that later, in ‘a Hundred Summers a Hundred Winters’ or in ‘East Wind West Wind’ have taken shape in a more outspoken way”. Hripsimé Visser
More books by Bertien van Manen
-
Let's sit down before we go (signed- last copy)
by Bertien van Manen
sold out -
Moonshine (signed)
by Bertien van Manen
Euro 165 -
Beyond Maps and Atlases (signed)
by Bertien van Manen
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Bertien van Manen in Moldova (signed)
by Bertien van Manen
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Let's sit down before we go (last copy)
by Bertien van Manen
Euro 320 -
I will be wolf
by Bertien van Manen
Euro 39 -
Easter and Oak Trees (signed - review copy)
by Bertien van Manen
Euro 85 -
Archive (signed)
by Bertien van Manen
sold out -
Beyond Maps and Atlases (signed) - used copy
by Bertien van Manen
Euro 65 52.00 -
Beyond Maps and Atlases (signed) - used copy
by Bertien van Manen
Euro 65 58.50 -
Gluckauf
by Bertien van Manen
Euro 45 -
I am the only woman there
by Bertien van Manen
Euro 39.60
more books tagged »family« | >> see all
-
At the Edge of the World (signed)
by Alain Laboile
sold out -
My Valentines (signed)
by Lucy Hilmer
Euro 59 -
The Way We Were (signed - last copy)
by Richard Bartholomew, Pablo Bartholomew
sold out -
Casita de Turrón
by Roberto M. Tondopó
Euro 28 -
Wahr Genommen (last copy)
by Branko Lenart
Euro 45 -
Got to Go
by Rosalind Fox Solomon
Euro 50
more books tagged »Dutch« | >> see all
-
On the other side of the moutains (signed)
by Rob Hornstra & Arnold van Bruggen
sold out -
The Street & Modern Life
by Hans Eijkelboom
Euro 46 -
Etan & Me
by Viviane Sassen
sold out -
Paris Mortel retouché
by Johan van der Keuken
sold out -
CHARKOW (signed)
by Ellen Korth
sold out -
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by Wypke Jannette Walen
Euro 165
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by Andrei Liankevich
Euro 125 -
Deutsche Börse Photography Foundation Prize 2017
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by Bruce Davidson
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by Chieko Shiraishi
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by Roger Ballen
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by Andreas H. Bitesnich
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by Keliy Anderson-Staley
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by Miquel Llonch
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Euro 33 -
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