Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
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Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
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Timekeepers (collector's edition - last copy)
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Euro 60 36.00 -
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Euro 60 -
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by Joze Suhadolnik
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100 Flowers (signed)
by Tanja Lažetić
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by Jean Pagliuso
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Austrian Documentary Photography
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Euro 75 -
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Euro 35 -
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by Matthew Genitempo
sold out
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A Period of Juvenile Prosperity (first edition - review copy)
by Mike Brodie
Euro 220 154.00 -
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by Mikhail Karasik
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by various photographers
Euro 165 132.00 -
Back to the Future (signed and numbered - last copy)
by Irina Werning
Euro 250 -
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by Thomas Sauvin
sold out -
Big Zep
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Euro 31.90 19.14
Random selection from the Virtual bookshelf josefchladek.com
Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
more books tagged »Slovenian« | >> see all
-
Timekeepers (collector's edition - last copy)
by Matjaž Tančič
Euro 295 -
America, my way (signed)
by Matej Sitar
Euro 65 -
In Vivo (signed) - used copy
by Klavdij Sluban
Euro 60 36.00 -
In Vivo (signed)
by Klavdij Sluban
Euro 60 -
Balkan Pank (collectors' edition)
by Joze Suhadolnik
sold out -
100 Flowers (signed)
by Tanja Lažetić
Euro 49
more books tagged »black and white« | >> see all
-
Poultry Suite
by Jean Pagliuso
sold out -
Austrian Documentary Photography
by Regina Maria Anzenberger
Euro 75 -
The theory of a naked body
by various photographers
Euro 22 -
Chizu (signed)
by Kikuji Kawada
sold out -
Hommage
by Gerhard Trumler
Euro 35 -
Jasper (last copy)
by Matthew Genitempo
sold out
more books tagged »archive« | >> see all
-
A Period of Juvenile Prosperity (first edition - review copy)
by Mike Brodie
Euro 220 154.00 -
The Soviet Photobook 1920-1941
by Mikhail Karasik
sold out -
Nein, Onkel (review copy)
by various photographers
Euro 165 132.00 -
Back to the Future (signed and numbered - last copy)
by Irina Werning
Euro 250 -
Until Death Do Us Part (signed - last copy)
by Thomas Sauvin
sold out -
Big Zep
by various photographers
Euro 31.90 19.14
Random selection from the Virtual bookshelf josefchladek.com