Real Fake Art
by Michael Wolf
Photographs: Michael Wolf
Text: Boris von Brauchitsch
Publisher: Peperoni Books
112 pages
Pictures: 51 colour illustrations
Year: 2011
ISBN: 978-3-941825-20-8
Comments: 25 x 32 cm; hardcover
Strange, this is how these pictures appear at first sight. In front of typical Chinese urban backdrops young Chinese men and women present oil paintings by American and European artists from different epochs. Rembrandt, Van Gogh, Andy Warhol, Ed Ruscha, even photographs by Lee Friedlander, William Eggleston, Bernd and Hilla Becher or August Sander can be found among the works. What stands behind all this?
In fact we see pictures of a multi-million dollar industry – the production of copies of popular artworks, which are sold at giveaway prices into the whole world. Van Gogh: $ 75, Andy Warhol: $ 45, Ed Ruscha $ 50. The handpainted copies mainly come from China, the buyers can almost entirely be found in the United States and Europe, the countries of origin of the unaffordable originals.
Michael Wolf has photographed the Chinese copy-artists in a fantastic way and in his pictures he has placed manifold relations between the picture subject, the urban environment and the portrayed artists, that reach far beyond the superficial humor. The list of questions, which arise, is long:
- Did Rubens and Rembrandt paint their works all by themselves? - Aren’t the copies produced, in order to palm them on collectors? - What’s the value of an original in the age of technical reproducibility? - Who buys these copies? - Why do the Chinese provide this market? - What does this mean for other industries?
Boris von Brauchitsch discusses these and other questions in his comprehensive essay, which accompanies the series of images.
More books by Michael Wolf
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Real Fake Art
by Michael Wolf
Photographs: Michael Wolf
Text: Boris von Brauchitsch
Publisher: Peperoni Books
112 pages
Pictures: 51 colour illustrations
Year: 2011
ISBN: 978-3-941825-20-8
Comments: 25 x 32 cm; hardcover
Strange, this is how these pictures appear at first sight. In front of typical Chinese urban backdrops young Chinese men and women present oil paintings by American and European artists from different epochs. Rembrandt, Van Gogh, Andy Warhol, Ed Ruscha, even photographs by Lee Friedlander, William Eggleston, Bernd and Hilla Becher or August Sander can be found among the works. What stands behind all this?
In fact we see pictures of a multi-million dollar industry – the production of copies of popular artworks, which are sold at giveaway prices into the whole world. Van Gogh: $ 75, Andy Warhol: $ 45, Ed Ruscha $ 50. The handpainted copies mainly come from China, the buyers can almost entirely be found in the United States and Europe, the countries of origin of the unaffordable originals.
Michael Wolf has photographed the Chinese copy-artists in a fantastic way and in his pictures he has placed manifold relations between the picture subject, the urban environment and the portrayed artists, that reach far beyond the superficial humor. The list of questions, which arise, is long:
- Did Rubens and Rembrandt paint their works all by themselves? - Aren’t the copies produced, in order to palm them on collectors? - What’s the value of an original in the age of technical reproducibility? - Who buys these copies? - Why do the Chinese provide this market? - What does this mean for other industries?
Boris von Brauchitsch discusses these and other questions in his comprehensive essay, which accompanies the series of images.
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Tokyo Compression Three (last copy)
by Michael Wolf
sold out -
Hong Kong Inside Outside
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Real Fake Art (signed)
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Random selection from the Virtual bookshelf josefchladek.com
Real Fake Art
by Michael Wolf
Photographs: Michael Wolf
Text: Boris von Brauchitsch
Publisher: Peperoni Books
112 pages
Pictures: 51 colour illustrations
Year: 2011
ISBN: 978-3-941825-20-8
Comments: 25 x 32 cm; hardcover
Strange, this is how these pictures appear at first sight. In front of typical Chinese urban backdrops young Chinese men and women present oil paintings by American and European artists from different epochs. Rembrandt, Van Gogh, Andy Warhol, Ed Ruscha, even photographs by Lee Friedlander, William Eggleston, Bernd and Hilla Becher or August Sander can be found among the works. What stands behind all this?
In fact we see pictures of a multi-million dollar industry – the production of copies of popular artworks, which are sold at giveaway prices into the whole world. Van Gogh: $ 75, Andy Warhol: $ 45, Ed Ruscha $ 50. The handpainted copies mainly come from China, the buyers can almost entirely be found in the United States and Europe, the countries of origin of the unaffordable originals.
Michael Wolf has photographed the Chinese copy-artists in a fantastic way and in his pictures he has placed manifold relations between the picture subject, the urban environment and the portrayed artists, that reach far beyond the superficial humor. The list of questions, which arise, is long:
- Did Rubens and Rembrandt paint their works all by themselves? - Aren’t the copies produced, in order to palm them on collectors? - What’s the value of an original in the age of technical reproducibility? - Who buys these copies? - Why do the Chinese provide this market? - What does this mean for other industries?
Boris von Brauchitsch discusses these and other questions in his comprehensive essay, which accompanies the series of images.
More books by Michael Wolf
-
Tokyo Compression Three (last copy)
by Michael Wolf
sold out -
Hong Kong Inside Outside
by Michael Wolf
sold out -
Real Fake Art (signed)
by Michael Wolf
sold out -
Bottrop-Ebel 76 (signed-last copy)
by Michael Wolf
Euro 350 -
Small God, Big City (signed)
by Michael Wolf
sold out -
Hong Kong Trilogy (signed)
by Michael Wolf
sold out -
Hong Kong Informal Seating Arrangements (signed)
by Michael Wolf
sold out -
Hong Kong Umbrella
by Michael Wolf / Lam Yik Fei
sold out -
Some More Hong Kong Seating Arrangements (last copy)
by Michael Wolf
sold out -
Hong Kong Assemblage Deconstructed
by Michael Wolf
Euro 75 -
Hong Kong Rubber Boots and Shoes (last copies)
by Michael Wolf
Euro 75 -
Hong Kong Coat Hangers
by Michael Wolf
Euro 75 -
Tokyo Compression Final Cut (last copy)
by Michael Wolf
sold out -
Works
by Michael Wolf
sold out -
Hong Kong Assemblage Deconstructed (signed - last copy)
by Michael Wolf
sold out -
Hong Kong Rubber Boots and Shoes (signed - last copy)
by Michael Wolf
sold out -
Hong Kong Coat Hangers (signed - last copy)
by Michael Wolf
Euro 145 -
Tokyo Compression Final Cut (signed - last two copies)
by Michael Wolf
sold out -
Works (signed - last copy)
by Michael Wolf
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Some More Hong Kong Seating Arrangements (signed - last copy)
by Michael Wolf
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Notting Hill Soundsystems 2 (last copy)
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A Parallel Road (signed - last copy)
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Euro 35 -
American Color (signed)
by Constantine Manos
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Le parisien (signed)
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Cycle Style
by Horst A. Friedrichs
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When Spider Kisses Fly (signed)
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Lebenszeichen
by Christine de Grancy
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by Daido Moriyama
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Photographs
by Salvatore Sante
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by Bastienne Schmidt
sold out -
Hibi
by Masahisa Fukase
Euro 55 -
Ndebele: The Art of an African Tribe
by Margaret Courtney-Clarke
Euro 65 -
A Plastic Tool (signed)
by Maya Rochat
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Photography 227 Months
by Cecilia Edefalk
Euro 44 -
Louvreland (last copy)
by Erich Lessing
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Critical Mass
by Michael Danner
Euro 39.90 -
One Circle (review copy)
by Fred Hüning
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Blütenstände (signed)
by Annabelle Fürstenau
sold out -
Schönheit im Olympischen Kampf
by Leni Riefenstahl
Euro 2200 -
A Place of One´s Own
by Hendrik Zeitler
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by Jens Liebchen
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