DKDANCE (signed)
by Dmitry Lookianov
Photographs: Dmitry Lookianov
Publisher: selfpublished
unpaged pages
Pictures: colour illustrations throughout
Year: 2014
Price: 75 €
Comments: 24,5 x 28,5 cm. limited first edition of 50 signed and numbered copies
Dmitry Lukianov, a young photographer from the Rodchenko School, devoted one of his first shoots to wrestling. As he photographed muscular bodybuilders in terrifying luchador costumes it was hard to ignore a striking contrast with the fight venue – Moscow’s Avangard Dvorets Kultury (DK: Palace of Culture). Interest in this alogism was the starting point for a new photo project, ‘Palace of Culture’.
Visits to DKs in the areas surrounding Moscow prompted a realisation that this alogism is entirely natural, and has been the norm for some time. After ceasing to act as conveyor of state ideology, the DKs were largely deprived of financial support from the authorities. Hence such profitable ventures as fairs trading furs or semi-precious stones and the leasing of available space often become their most important ‘cultural’ feature. Traditional ‘elements’ of the DK, on the contrary, usually provoke sympathy. With an air of tragic resignation a dance instructor models the stage costume she made herself. A projectionist stands proud and tall among stacked, unwanted reels of film. An orchestra leader strikes a formal pose against a backdrop of mildew-covered walls.
The photographer composes his shot with geometric precision (no surprise here – Dmitry is a physics and mathematics graduate). On one hand this creates a strictly rectilinear visual narrative. However, the faultless coloristic integrity of the picture gives an unexpected contrast between the less than positive realities of the DK and their ‘decorative’ representation. The material world also ‘yields’ to this device. True enough, in an unreal space nature morte paradoxically springs to life. This is particularly evident in the image with instruments and music stands. In the background stage suits ready for the next performance completely replace the actual performers (indeed, the orchestra meets only occasionally).
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DKDANCE (signed)
by Dmitry Lookianov
Photographs: Dmitry Lookianov
Publisher: selfpublished
unpaged pages
Pictures: colour illustrations throughout
Year: 2014
Price: 75 €
Comments: 24,5 x 28,5 cm. limited first edition of 50 signed and numbered copies
Dmitry Lukianov, a young photographer from the Rodchenko School, devoted one of his first shoots to wrestling. As he photographed muscular bodybuilders in terrifying luchador costumes it was hard to ignore a striking contrast with the fight venue – Moscow’s Avangard Dvorets Kultury (DK: Palace of Culture). Interest in this alogism was the starting point for a new photo project, ‘Palace of Culture’.
Visits to DKs in the areas surrounding Moscow prompted a realisation that this alogism is entirely natural, and has been the norm for some time. After ceasing to act as conveyor of state ideology, the DKs were largely deprived of financial support from the authorities. Hence such profitable ventures as fairs trading furs or semi-precious stones and the leasing of available space often become their most important ‘cultural’ feature. Traditional ‘elements’ of the DK, on the contrary, usually provoke sympathy. With an air of tragic resignation a dance instructor models the stage costume she made herself. A projectionist stands proud and tall among stacked, unwanted reels of film. An orchestra leader strikes a formal pose against a backdrop of mildew-covered walls.
The photographer composes his shot with geometric precision (no surprise here – Dmitry is a physics and mathematics graduate). On one hand this creates a strictly rectilinear visual narrative. However, the faultless coloristic integrity of the picture gives an unexpected contrast between the less than positive realities of the DK and their ‘decorative’ representation. The material world also ‘yields’ to this device. True enough, in an unreal space nature morte paradoxically springs to life. This is particularly evident in the image with instruments and music stands. In the background stage suits ready for the next performance completely replace the actual performers (indeed, the orchestra meets only occasionally).
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DKDANCE (signed)
by Dmitry Lookianov
Photographs: Dmitry Lookianov
Publisher: selfpublished
unpaged pages
Pictures: colour illustrations throughout
Year: 2014
Price: 75 €
Comments: 24,5 x 28,5 cm. limited first edition of 50 signed and numbered copies
Dmitry Lukianov, a young photographer from the Rodchenko School, devoted one of his first shoots to wrestling. As he photographed muscular bodybuilders in terrifying luchador costumes it was hard to ignore a striking contrast with the fight venue – Moscow’s Avangard Dvorets Kultury (DK: Palace of Culture). Interest in this alogism was the starting point for a new photo project, ‘Palace of Culture’.
Visits to DKs in the areas surrounding Moscow prompted a realisation that this alogism is entirely natural, and has been the norm for some time. After ceasing to act as conveyor of state ideology, the DKs were largely deprived of financial support from the authorities. Hence such profitable ventures as fairs trading furs or semi-precious stones and the leasing of available space often become their most important ‘cultural’ feature. Traditional ‘elements’ of the DK, on the contrary, usually provoke sympathy. With an air of tragic resignation a dance instructor models the stage costume she made herself. A projectionist stands proud and tall among stacked, unwanted reels of film. An orchestra leader strikes a formal pose against a backdrop of mildew-covered walls.
The photographer composes his shot with geometric precision (no surprise here – Dmitry is a physics and mathematics graduate). On one hand this creates a strictly rectilinear visual narrative. However, the faultless coloristic integrity of the picture gives an unexpected contrast between the less than positive realities of the DK and their ‘decorative’ representation. The material world also ‘yields’ to this device. True enough, in an unreal space nature morte paradoxically springs to life. This is particularly evident in the image with instruments and music stands. In the background stage suits ready for the next performance completely replace the actual performers (indeed, the orchestra meets only occasionally).
More books by Dmitry Lookianov
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DKDANCE (singed book+print)
by Dmitry Lookianov
sold out -
Instant Tomorrow
by Dmitry Lookianov
sold out -
Instant Tomorrow
by Dmitry Lookianov
Euro 35
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more books tagged »post-Soviet« | >> see all
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PROMISING WATERS - COLLECTOR'S EDITION (signed+2prints)
by Mila Tshaieva
Euro 190 -
0000000 (signed - last two copies)
by Ilkin Huseynov
Euro 35 31.50 -
Focus on Belarus
by Andrei Liankevich
sold out -
An Atlas of War and Tourism in the Caucasus (signed)
by Rob Hornstra
sold out -
VINETA 1985/1990 (last copy)
by Andreas Trogisch
Euro 38.50 -
Black Sea of Concrete (signed + print - last copy)
by Rafal Milach
sold out
more books tagged »Russian« | >> see all
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A Remote Barely Audible Evening Waltz (last copy)
by Max Sher
sold out -
thefirstthingiseewheniwakeup
by Pavel Matveyev
Euro 75 -
be happy!
by Igor Samolet
Euro 25 15.00 -
Go there I don't know where, Bring that I don't know what (s...
by Alena Zhandarova
sold out -
Feud (signed - first edition)
by Olga Matveeva
Euro 75 -
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by Ellen Korth
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